Danuta Mirka is Reader in Music at the University of Southampton. She is the co-editor, with Kofi Agawu, of Communication in Eighteenth-Century Music. Her books include The Sonoristic Structuralism of Krzysztof Penderecki and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791, which won the 2011 Wallace Berry Award from the Society for Music Theory.

• Introduction Danuta Mirka Section I. Origins and DistinctionsChapter 1. Topics and Opera Buffa Mary HunterChapter 2. Symphonies and the Public Display of Topics Elaine SismanChapter 3. Topics in Chamber Music Dean Sutcliffe Section II. Contexts, Histories, SourcesChapter 4. Music and Dance in the Ancien Régime Lawrence ZbikowskiChapter 5. Ballroom Dances of the Late Eighteenth Century Eric McKeeChapter 6. Hunt, Military, and Pastoral Topics Andrew HaringerChapter 7. Turkish and Hungarian-Gypsy Styles Catherine MayesChapter 8. The Singing Style Sarah Day-O'ConnellChapter 9. Fantasia and Sensibility Matthew HeadChapter 10. Ombra and Tempesta Clive McClellandChapter 11. Learned Style and Learned Styles Keith ChapinChapter 12. The Brilliant Style Roman Ivanovitch Section III. Analysing TopicsChapter 13. Topics and Meter Danuta MirkaChapter 14. Topics and Harmonic Schemata: A Case from Beethoven Vasili ByrosChapter 15. Topics and Formal Functions: The Case of the Lament William CaplinChapter 16. Topics and Tonal Processes Joel GalandChapter 17. Topics and Form in Mozart's String Quintet in E flat major, K. 614/i Kofi AgawuChapter 18. Topical Figurae: The Double Articulation of Topics Stephen RumphChapter 19. The Troping of Topics in Mozart's Instrumental Works Robert Hatten Section IV. Performing TopicsChapter 20. Performing Topics in Mozart's Chamber Music with Piano John IrvingChapter 21. Recognizing Musical Topics vs. Executing Rhetorical Figures Tom BeghinChapter 22. Eloquent Performance: The Pronuntiatio of Topics Sheila Guymer Section V. Listening to TopicsChapter 23. Amateur Topical Competencies Melanie LoweChapter 24. Expectation, Musical Topics, and the Problem of Affective DifferentiationElizabeth Hellmuth MargulisChapter 25. Listening to Topics in the Nineteenth Century Julian Horton

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Danuta Mirka is Reader in Music at the University of Southampton. She is the co-editor, with Kofi Agawu, of Communication in Eighteenth-Century Music. Her books include The Sonoristic Structuralism of Krzysztof Penderecki and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791, which won the 2011 Wallace Berry Award from the Society for Music Theory.

• Introduction Danuta Mirka Section I. Origins and DistinctionsChapter 1. Topics and Opera Buffa Mary HunterChapter 2. Symphonies and the Public Display of Topics Elaine SismanChapter 3. Topics in Chamber Music Dean Sutcliffe Section II. Contexts, Histories, SourcesChapter 4. Music and Dance in the Ancien Régime Lawrence ZbikowskiChapter 5. Ballroom Dances of the Late Eighteenth Century Eric McKeeChapter 6. Hunt, Military, and Pastoral Topics Andrew HaringerChapter 7. Turkish and Hungarian-Gypsy Styles Catherine MayesChapter 8. The Singing Style Sarah Day-O'ConnellChapter 9. Fantasia and Sensibility Matthew HeadChapter 10. Ombra and Tempesta Clive McClellandChapter 11. Learned Style and Learned Styles Keith ChapinChapter 12. The Brilliant Style Roman Ivanovitch Section III. Analysing TopicsChapter 13. Topics and Meter Danuta MirkaChapter 14. Topics and Harmonic Schemata: A Case from Beethoven Vasili ByrosChapter 15. Topics and Formal Functions: The Case of the Lament William CaplinChapter 16. Topics and Tonal Processes Joel GalandChapter 17. Topics and Form in Mozart's String Quintet in E flat major, K. 614/i Kofi AgawuChapter 18. Topical Figurae: The Double Articulation of Topics Stephen RumphChapter 19. The Troping of Topics in Mozart's Instrumental Works Robert Hatten Section IV. Performing TopicsChapter 20. Performing Topics in Mozart's Chamber Music with Piano John IrvingChapter 21. Recognizing Musical Topics vs. Executing Rhetorical Figures Tom BeghinChapter 22. Eloquent Performance: The Pronuntiatio of Topics Sheila Guymer Section V. Listening to TopicsChapter 23. Amateur Topical Competencies Melanie LoweChapter 24. Expectation, Musical Topics, and the Problem of Affective DifferentiationElizabeth Hellmuth MargulisChapter 25. Listening to Topics in the Nineteenth Century Julian Horton

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Danuta Mirka is Reader in Music at the University of Southampton. She is the co-editor, with Kofi Agawu, of Communication in Eighteenth-Century Music. Her books include The Sonoristic Structuralism of Krzysztof Penderecki and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791, which won the 2011 Wallace Berry Award from the Society for Music Theory.

• Introduction Danuta Mirka Section I. Origins and DistinctionsChapter 1. Topics and Opera Buffa Mary HunterChapter 2. Symphonies and the Public Display of Topics Elaine SismanChapter 3. Topics in Chamber Music Dean Sutcliffe Section II. Contexts, Histories, SourcesChapter 4. Music and Dance in the Ancien Régime Lawrence ZbikowskiChapter 5. Ballroom Dances of the Late Eighteenth Century Eric McKeeChapter 6. Hunt, Military, and Pastoral Topics Andrew HaringerChapter 7. Turkish and Hungarian-Gypsy Styles Catherine MayesChapter 8. The Singing Style Sarah Day-O'ConnellChapter 9. Fantasia and Sensibility Matthew HeadChapter 10. Ombra and Tempesta Clive McClellandChapter 11. Learned Style and Learned Styles Keith ChapinChapter 12. The Brilliant Style Roman Ivanovitch Section III. Analysing TopicsChapter 13. Topics and Meter Danuta MirkaChapter 14. Topics and Harmonic Schemata: A Case from Beethoven Vasili ByrosChapter 15. Topics and Formal Functions: The Case of the Lament William CaplinChapter 16. Topics and Tonal Processes Joel GalandChapter 17. Topics and Form in Mozart's String Quintet in E flat major, K. 614/i Kofi AgawuChapter 18. Topical Figurae: The Double Articulation of Topics Stephen RumphChapter 19. The Troping of Topics in Mozart's Instrumental Works Robert Hatten Section IV. Performing TopicsChapter 20. Performing Topics in Mozart's Chamber Music with Piano John IrvingChapter 21. Recognizing Musical Topics vs. Executing Rhetorical Figures Tom BeghinChapter 22. Eloquent Performance: The Pronuntiatio of Topics Sheila Guymer Section V. Listening to TopicsChapter 23. Amateur Topical Competencies Melanie LoweChapter 24. Expectation, Musical Topics, and the Problem of Affective DifferentiationElizabeth Hellmuth MargulisChapter 25. Listening to Topics in the Nineteenth Century Julian Horton

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