The Oxford Handbook of Social Justice in Music Education

Cathy Benedict is Assistant Professor and Assistant Director of Research of Music Education at the Don Wright Faculty of Music, Western University, Canada.Patrick Schmidt is Associate Professor and Chair of Music Education at the Don Wright Faculty of Music, Western University, Canada.Gary Spruce is Senior Lecturer in Music Education at The Open University, United Kingdom.Paul Woodford is Professor of Music Education at the Don Wright Faculty of Music, Western University, Canada.

• PrefaceWhy Social Justice and Music Education? EditorsSection I. Understanding Social Justice in Music Education Conceptually, Historically, and PoliticallyIntroduction-From Pioneers to New Frameworks. Section Editor, Paul Woodford 1. Intersecting Social Justices and Music EducationEstelle Jorgensen, Indiana University, United States 2. Understanding Social Justice from the Perspective of Music Education History Marie McCarthy, University of Michigan, United States 3. The Ethics of Policy: Why a Social Justice Vision of Music Education Requires a Commitment to Policy ThoughtPatrick Schmidt, Florida International University, United States 4. Facing the Music: Pursuing Social Justice Through Music Education in a Neoliberal WorldStephanie Horsley, Western University, Canada5. Educational Policy Reforms and the Politics of Music Teacher EducationGabriel Rusinek, Complutense University of Madrid, & José Luis Aróstegui,University of Granada, Spain6. The Promotion of Multiple Citizenships in China's Music EducationWai-Chung Ho, Hong Kong Baptist University, & Wing-Wah Law, The University of Hong Kong 7. What Did You Learn in School Today? Music Education, Democracy, and Social JusticeJoel Westheimer, University of Ottawa, CanadaSection II. Reclaiming Difference in Music Education Introduction-Beyond Toleration: Facing the Other. Section Editor, Cathy Benedict8. Disjunctured Feminisms: Emerging Feminisms in Music EducationRoberta Lamb, Queens University, Canada, & Niyati Dhokai9. A Jazz Funeral in Music EducationElizabeth Gould, University of Toronto, Canada 10. The Space Between Worlds: Music Education and Latino ChildrenJacqueline Kelly-McHale, DePaul University, United States, & Carlos Abril, University of Miami, United States 11. Music, Social Justice, and Social Inclusion: The Role of Collaborative Music Activities in Supporting Young Refugees and Newly Arrived Immigrants in AustraliaKathryn Marsh, Sydney University, Australia12. Hidden in Plain Sight: Race and Racism in Music EducationDeborah Bradley, University of Wisconsin-Madison, United States 13. Ableism and Social Justice: Rethinking Disability in Music Education Alice-Ann Darrow, Florida State University, United States 14. Gender and Sexual Diversity Challenges (for Socially Just) Music EducationLouis S. Bergonzi, University of Illinois, United States15. Beyond Toleration-Facing the Other Richard Matthews, King's University College, CanadaSection III. Epistemological Shifts and Just PracticesIntroduction-Socializing the Value of Equity. Section Editor, Patrick Schmidt16. "What do we think we know?"Cathy Benedict, Florida International University, United States 17. Multiculturalism and Social Justice: Complementary Movements for Education in and Through MusicChristopher Roberts, University of Washington, United States & Patricia S. Campbell18. Music Education, Social Justice, and the 'Student Voice': Addressing Student Alienation through a Dialogical Conception of Music EducationGary Spruce, The Open University, United Kingdom 19. Informal Learning as a Catalyst for Social Justice in Music Education& Flavia Narita, Universidade de Brasília, Brazil, & Lucy Green, London Institute of Education, United Kingdom20. Musical Creativity and 'the Police': Troubling Core Music Education CertaintiesPanagiotis Kanellopoulos, University of Thessaly, Athens, Greece21. Music Education and Social Reproduction: Breaking Cycles of Injustice Ruth Wright, Western University, Canada22. The Imperative of Diverse and Distinctive Musical Creativities as Practices of Social JusticePamela Burnard, Laura Hassler, Lis Murphy, & Otto de Jong, University of Cambridge, United Kingdom23. Music Teachers' Repertoire Choices and the Quest for Solidarity:Opening Arenas for the Art of Living with DifferenceSidsel Karlsen, Hedmark University College, Sweden, & Heidi Westerlund, Sibelius Academy, Finland 24. Youth Empowerment and Transformative Music EngagementSusan O'Neill, Simon Fraser University, Canada25. You Gotta Fight the Power: The Place of Music in Social Justice Education Gloria Ladson-Billings, University of Wisconsin, United StatesSection IV. Toward Social Justice Pedagogy: Problems and OpportunitiesIntroduction-Rethinking the Ways We Engage with Others. Section Editor, Gary Spruce26. Social Justice in the English Secondary Music ClassroomChris Philpott with Jason Kubilius, University of Greenwich, United Kingdom27. Hospitable Music Making: Community Music as a Site for Social JusticeLee Higgins, Boston University, United States28. Social Justice and Urban Music EducationRubén Gaztambide- Fernández & Leslie Stewart-Rose, University of Toronto, Canada29. Social Justice and Music Technology in Education Paul Louth, Youngston State University, United States30. Music First and Last: Developing a Socially Just Pedagogical Approach to Music Education with Technology.Jonathan Savage, Manchester Metropolitan University, United Kingdom31. Rescuing Choral Music from the Realm of the Elite: Models for Twenty-first Century Music-Making-Two Case Illustrations André de Quadros, Boston University, United States32. Music Education Assessment and Social Justice: Resisting Hegemony Through Formative Assessment Martin Fautley, Birmingham City University, United Kingdom33. Critical Reflection for Social Justice and Inclusion in Music Education.Carolyn Cooke, The University of Aberdeen, United Kingdom 34. Can Music Teaching be a Powerful Tool for Social Justice?John Sloboda, The Guildhall School of Music and Drama, United KingdomSection V. Social Justice in Practice: Examples of Educational Projects from Beyond the Schools and Around the WorldIntroduction-Description, questions, and challenges for researchers. Section Editor Paul Woodford35. Behind Different Walls: Restorative Justice, Transformative Justice, and Their Relationship to Music Education Mary Cohen, University of Iowa, & Stuart Paul Duncan, Yale University, United States 36. Relationship, Rescue, and Culture: How El Sistema Might Work.Eric Shieh, Metropolitan Expeditionary Learning School, United States37. Negotiating Gender, Popular Culture, and Social Justice in Music EducationJoseph Abramo, University of Connecticut, United States38. Music Education and the Invisible Youth: A Summary of Research and Practices of Music Education for Youth in Detention Centers.Maud Hickey, Northwestern University, United States39. Music: An Alternative Education in the South African Freedom StruggleSheila C. Woodward, Eastern Washington University, United States40. New Faces in Old Spaces: Mexican American Musical and Music Equity within the Music CurriculumAmanda Soto, University of Idaho, United States 41. The Intersection of Music Teacher Education and Social Justice: Where Are We Now?Julie Ballantyne & Carmen Mills, The University of Queensland, Australia 42. Striving for justice with determination and hope: An epilogueJanet Barrett, University of Illinois, United States