Lea K. Cline is Professor of Art History in the Wonsook Kim School of Art at Illinois State University.Nathan T. Elkins is Deputy Director at the American Numismatic Society and Editor (ancient world) of the American Journal of Numismatics.

• IntroductionLea K. Cline and Nathan T. Elkins Method and Theory 1. The Creation of an ImageAnnette Haug 2. Theoretical Approaches to Roman Imagery and Iconography Clare Rowan 3. Relationship between Image and Text Michael Squire 4. Iconography and Archaeology Elizabeth Marlowe 5. Image and AuthorityStephan Faust 6. Iconography of the Non-iconicAnna Anguissola Image and Semantics 7. Iconography and Style in Republican and Early Imperial Art Dominik Maschek 8. Iconography and Style in the Late Roman Empire Susanna McFadden 9. Iconography and Style between Rome and the Provinces Vanessa Rousseau and Sarah Lepinski Image and Social Practice/Image and Context 10. Public Sculpture and Social Practice in the Roman RepublicRiccardo DiCesare 11. Public Sculpture and Social Practice in the Roman EmpireElizabeth Wolfram-Thill 12. Iconography and Social Practice in the Domestic Sphere Silvana Costa 13. Coin Iconography and Social Practice in the Roman Republic Bernhard Woytek 14. Coin Iconography and Social Practice in the Roman Empire Fleur Kemmers 15. Gems, Cameos, and Social Practice Jörn Lang 16. Glass, Pottery, and Social Practice Manuel Flecker 17. Images and Interpretation of 'the Other' in Roman Social Practice Lisa Trentin 18. Images and Interpretation of Africans in Roman Art and Social Practice Sinclair Bell 19. Iconography of Early Christian Roman Art Sean Leatherbury Imagery in Ritual Use 20. Religion and Iconography Katherine Rask 21. Funerary Imagery and Iconography Regina Gee 22. Judaism and Christianity Matthew Grey and Mark Ellison

The discussion of Roman imagery and iconography on such a broad level, the interdisciplinary attempt to place Roman imagery and iconography into its larger social context and the wide variety of media taken into consideration, including the minor arts, makes this a handbook that any scholar and student of Roman art should have on their shelves. Its extensive coverage of Roman imagery across chronological, geographic and social contexts makes it an essential resource for any scholar of antiquity.

Lea K. Cline is Professor of Art History in the Wonsook Kim School of Art at Illinois State University.Nathan T. Elkins is Deputy Director at the American Numismatic Society and Editor (ancient world) of the American Journal of Numismatics.

• IntroductionLea K. Cline and Nathan T. Elkins Method and Theory 1. The Creation of an ImageAnnette Haug 2. Theoretical Approaches to Roman Imagery and Iconography Clare Rowan 3. Relationship between Image and Text Michael Squire 4. Iconography and Archaeology Elizabeth Marlowe 5. Image and AuthorityStephan Faust 6. Iconography of the Non-iconicAnna Anguissola Image and Semantics 7. Iconography and Style in Republican and Early Imperial Art Dominik Maschek 8. Iconography and Style in the Late Roman Empire Susanna McFadden 9. Iconography and Style between Rome and the Provinces Vanessa Rousseau and Sarah Lepinski Image and Social Practice/Image and Context 10. Public Sculpture and Social Practice in the Roman RepublicRiccardo DiCesare 11. Public Sculpture and Social Practice in the Roman EmpireElizabeth Wolfram-Thill 12. Iconography and Social Practice in the Domestic Sphere Silvana Costa 13. Coin Iconography and Social Practice in the Roman Republic Bernhard Woytek 14. Coin Iconography and Social Practice in the Roman Empire Fleur Kemmers 15. Gems, Cameos, and Social Practice Jörn Lang 16. Glass, Pottery, and Social Practice Manuel Flecker 17. Images and Interpretation of 'the Other' in Roman Social Practice Lisa Trentin 18. Images and Interpretation of Africans in Roman Art and Social Practice Sinclair Bell 19. Iconography of Early Christian Roman Art Sean Leatherbury Imagery in Ritual Use 20. Religion and Iconography Katherine Rask 21. Funerary Imagery and Iconography Regina Gee 22. Judaism and Christianity Matthew Grey and Mark Ellison

The discussion of Roman imagery and iconography on such a broad level, the interdisciplinary attempt to place Roman imagery and iconography into its larger social context and the wide variety of media taken into consideration, including the minor arts, makes this a handbook that any scholar and student of Roman art should have on their shelves. Its extensive coverage of Roman imagery across chronological, geographic and social contexts makes it an essential resource for any scholar of antiquity.

Lea K. Cline is Professor of Art History in the Wonsook Kim School of Art at Illinois State University.Nathan T. Elkins is Deputy Director at the American Numismatic Society and Editor (ancient world) of the American Journal of Numismatics.

• IntroductionLea K. Cline and Nathan T. Elkins Method and Theory 1. The Creation of an ImageAnnette Haug 2. Theoretical Approaches to Roman Imagery and Iconography Clare Rowan 3. Relationship between Image and Text Michael Squire 4. Iconography and Archaeology Elizabeth Marlowe 5. Image and AuthorityStephan Faust 6. Iconography of the Non-iconicAnna Anguissola Image and Semantics 7. Iconography and Style in Republican and Early Imperial Art Dominik Maschek 8. Iconography and Style in the Late Roman Empire Susanna McFadden 9. Iconography and Style between Rome and the Provinces Vanessa Rousseau and Sarah Lepinski Image and Social Practice/Image and Context 10. Public Sculpture and Social Practice in the Roman RepublicRiccardo DiCesare 11. Public Sculpture and Social Practice in the Roman EmpireElizabeth Wolfram-Thill 12. Iconography and Social Practice in the Domestic Sphere Silvana Costa 13. Coin Iconography and Social Practice in the Roman Republic Bernhard Woytek 14. Coin Iconography and Social Practice in the Roman Empire Fleur Kemmers 15. Gems, Cameos, and Social Practice Jörn Lang 16. Glass, Pottery, and Social Practice Manuel Flecker 17. Images and Interpretation of 'the Other' in Roman Social Practice Lisa Trentin 18. Images and Interpretation of Africans in Roman Art and Social Practice Sinclair Bell 19. Iconography of Early Christian Roman Art Sean Leatherbury Imagery in Ritual Use 20. Religion and Iconography Katherine Rask 21. Funerary Imagery and Iconography Regina Gee 22. Judaism and Christianity Matthew Grey and Mark Ellison

The discussion of Roman imagery and iconography on such a broad level, the interdisciplinary attempt to place Roman imagery and iconography into its larger social context and the wide variety of media taken into consideration, including the minor arts, makes this a handbook that any scholar and student of Roman art should have on their shelves. Its extensive coverage of Roman imagery across chronological, geographic and social contexts makes it an essential resource for any scholar of antiquity.