Fabian Holt is Associate Professor at the University of Roskilde, where he teaches in the Department of Communication and Arts, and Visiting Professor at Humboldt University of Berlin. His publications include Genre in Popular Music (Chicago 2007) and Musical Performance and the Changing City (Routledge 2013, co-edited with Carsten Wergin). Holt was a post-doctoral fellow at the University of Chicago 2003-2004 and visiting scholar at Columbia University 2010-2011.Antti-Ville Kärjä works as Academy Research Fellow at Music Archive JAPA, Helsinki, Finland, with a research project "Music, Multiculturality and Finland" (2014-2018). He is Adjunct Professor of popular music studies at the University of Helsinki and his fields of expertise include music and multiculturalism, historiography of popular music, and music in audiovisual media. He is currently Chair of the Finnish Society for Ethnomusicology. He is also a member of the editorial boards of the journals Perfect Beat and IASPM@journal.

• Contents FiguresTablesAcknowledgements Introduction: Music in a Globalizing RegionFabian Holt PART ONEGeography 1 Musical Borealism: Nordic Music and European HistoryPhilip V. Bohlman 2 Nordic Modernity and the Structure of the Musical LandscapeFabian Holt 3 Inclusive Popular Music Education?Alexis A. Kallio and Lauri Väkevä 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding HankHans Weisethaunet 5 From the Faroes to the World StageJoshua Green 6 Christian Metal and the Translocal NorthHenna Jousmäki 7 Music and Landscape in IcelandTony Mitchell 8 Music and Environmentalism in IcelandNicola Dibben PART TWOHistory 9 A Metahistorical Enquiry into Nordic Popular Music HistoriographyAntti-Ville Kärjä 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular MusicKimberly Cannady 11 Swedish Prog Rock and the Search for a Timeless UtopiaSverker Hyltén-Cavallius and Lars Kaijser 12 Trajectories of Karelian Music After the Cold WarPekka Suutari 13 The Memorial Ceremony after the 2011 Utøya MassacreJan Sverre Knudsen 14 Aspirations and Global Futures: Lessons from Sámi Popular Music for the 21st CenturyTina K. Ramnarine PART THREEIdentity 15 Masculinity, Race and Transculturalism in a Norwegian ContextStan Hawkins 16 Hip Hop as Public PedagogyAlexandra D'Urso 17 Urban Music and the Complex Identities of "New Nationals" in ScandinaviaHenrik Marstal 18 Rap, Reggae, and White MinoritizationBenjamin R. Teitelbaum 19 Sámi Festivals and IndigeneityThomas R. Hilder 20 Digitally Mediated Identity in the Cases of Two Sámi ArtistsAnn Werner ContributorsIndex

Fabian Holt is Associate Professor at the University of Roskilde, where he teaches in the Department of Communication and Arts, and Visiting Professor at Humboldt University of Berlin. His publications include Genre in Popular Music (Chicago 2007) and Musical Performance and the Changing City (Routledge 2013, co-edited with Carsten Wergin). Holt was a post-doctoral fellow at the University of Chicago 2003-2004 and visiting scholar at Columbia University 2010-2011.Antti-Ville Kärjä works as Academy Research Fellow at Music Archive JAPA, Helsinki, Finland, with a research project "Music, Multiculturality and Finland" (2014-2018). He is Adjunct Professor of popular music studies at the University of Helsinki and his fields of expertise include music and multiculturalism, historiography of popular music, and music in audiovisual media. He is currently Chair of the Finnish Society for Ethnomusicology. He is also a member of the editorial boards of the journals Perfect Beat and IASPM@journal.

• Contents FiguresTablesAcknowledgements Introduction: Music in a Globalizing RegionFabian Holt PART ONEGeography 1 Musical Borealism: Nordic Music and European HistoryPhilip V. Bohlman 2 Nordic Modernity and the Structure of the Musical LandscapeFabian Holt 3 Inclusive Popular Music Education?Alexis A. Kallio and Lauri Väkevä 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding HankHans Weisethaunet 5 From the Faroes to the World StageJoshua Green 6 Christian Metal and the Translocal NorthHenna Jousmäki 7 Music and Landscape in IcelandTony Mitchell 8 Music and Environmentalism in IcelandNicola Dibben PART TWOHistory 9 A Metahistorical Enquiry into Nordic Popular Music HistoriographyAntti-Ville Kärjä 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular MusicKimberly Cannady 11 Swedish Prog Rock and the Search for a Timeless UtopiaSverker Hyltén-Cavallius and Lars Kaijser 12 Trajectories of Karelian Music After the Cold WarPekka Suutari 13 The Memorial Ceremony after the 2011 Utøya MassacreJan Sverre Knudsen 14 Aspirations and Global Futures: Lessons from Sámi Popular Music for the 21st CenturyTina K. Ramnarine PART THREEIdentity 15 Masculinity, Race and Transculturalism in a Norwegian ContextStan Hawkins 16 Hip Hop as Public PedagogyAlexandra D'Urso 17 Urban Music and the Complex Identities of "New Nationals" in ScandinaviaHenrik Marstal 18 Rap, Reggae, and White MinoritizationBenjamin R. Teitelbaum 19 Sámi Festivals and IndigeneityThomas R. Hilder 20 Digitally Mediated Identity in the Cases of Two Sámi ArtistsAnn Werner ContributorsIndex

Fabian Holt is Associate Professor at the University of Roskilde, where he teaches in the Department of Communication and Arts, and Visiting Professor at Humboldt University of Berlin. His publications include Genre in Popular Music (Chicago 2007) and Musical Performance and the Changing City (Routledge 2013, co-edited with Carsten Wergin). Holt was a post-doctoral fellow at the University of Chicago 2003-2004 and visiting scholar at Columbia University 2010-2011.Antti-Ville Kärjä works as Academy Research Fellow at Music Archive JAPA, Helsinki, Finland, with a research project "Music, Multiculturality and Finland" (2014-2018). He is Adjunct Professor of popular music studies at the University of Helsinki and his fields of expertise include music and multiculturalism, historiography of popular music, and music in audiovisual media. He is currently Chair of the Finnish Society for Ethnomusicology. He is also a member of the editorial boards of the journals Perfect Beat and IASPM@journal.

• Contents FiguresTablesAcknowledgements Introduction: Music in a Globalizing RegionFabian Holt PART ONEGeography 1 Musical Borealism: Nordic Music and European HistoryPhilip V. Bohlman 2 Nordic Modernity and the Structure of the Musical LandscapeFabian Holt 3 Inclusive Popular Music Education?Alexis A. Kallio and Lauri Väkevä 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding HankHans Weisethaunet 5 From the Faroes to the World StageJoshua Green 6 Christian Metal and the Translocal NorthHenna Jousmäki 7 Music and Landscape in IcelandTony Mitchell 8 Music and Environmentalism in IcelandNicola Dibben PART TWOHistory 9 A Metahistorical Enquiry into Nordic Popular Music HistoriographyAntti-Ville Kärjä 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular MusicKimberly Cannady 11 Swedish Prog Rock and the Search for a Timeless UtopiaSverker Hyltén-Cavallius and Lars Kaijser 12 Trajectories of Karelian Music After the Cold WarPekka Suutari 13 The Memorial Ceremony after the 2011 Utøya MassacreJan Sverre Knudsen 14 Aspirations and Global Futures: Lessons from Sámi Popular Music for the 21st CenturyTina K. Ramnarine PART THREEIdentity 15 Masculinity, Race and Transculturalism in a Norwegian ContextStan Hawkins 16 Hip Hop as Public PedagogyAlexandra D'Urso 17 Urban Music and the Complex Identities of "New Nationals" in ScandinaviaHenrik Marstal 18 Rap, Reggae, and White MinoritizationBenjamin R. Teitelbaum 19 Sámi Festivals and IndigeneityThomas R. Hilder 20 Digitally Mediated Identity in the Cases of Two Sámi ArtistsAnn Werner ContributorsIndex