The Oxford Handbook of Music and Queerness

Fred Everett Maus is Director of Undergraduate Programs for Music and Associate Professor at the University of Virginia. He was a founding member of the editorial board of the journal Women and Music.Sheila Whiteley was Professsor Emeritus of Music at the University of Salford. She wrote, edited, or co-edited several books, including Women and Popular Music: Popular Music and Gender , Sexing the Groove: Popular Music and Gender, and Queering the Popular Pitch.Tavia Nyong'o is Chair and Professor of Theater & Performance Studies, Professor of American Studies, and Professor of African-American Studies at Yale University. He is author of The Amalgamation Waltz: Race, Performance, and the Ruses of Memory and Afro-Fabulations: The Queer Drama of Black Life.Zoe Sherinian is Professor of Ethnomusicology and Division Chair at the University of Oklahoma. She is author of Tamil Folk Music as Dalit Liberation Theology.

• IntroductionFred Everett MausWhose Refuge, This House?: The Estrangement of Queers of Color in Electronic Dance MusicLuis-Manuel GarciaThe Queer Pleasures of MusicalsBradley RogersThe Gospel According to the Gays: Queering the Roots of Gospel MusicE. Patrick JohnsonQueer as Trad: LGBTQ Performers and Irish Traditional Music in the United StatesTes SlominskiGay Country, TransAmericana, and Queer SincerityShana Goldin-PerschbacherQueer Hip Hop: A Brief HistoriographyShanté Paradigm SmallsFrom Queer Musicology to Indecent Theology: Liberal and Liberationist Protestant Theology and Musical Queerings of the BibleDirk von der HorstOperatic Adaptations and the Representation of Non-normative SexualitiesFreya JarmanQueer Audiovisual Creativity: Fan-Created Music Videos from Star Trek to Bad GirlsNina TreadwellKaraoke, Queer Theory, Queer Performance: Dedicated to José Esteban MuñozKaren TongsonFree as a Bird? Thinking with the Grain of Meshell Ndegeocello's Butch VoiceTavia Nyong'oTransgender Passing Guides and the Vocal Performance of Gender and SexualityStephan PenningtonSound Desires: Auralism, the Sexual Fetishization of MusicJodie TaylorTranscripts: Toward A Queer Phenomenology of the Field RecordingDrew DanielQueering BrightonSheila Whiteley(To) Queer: "A" Life to MusicElizabeth GouldEndangered Tenderness: Schubert, Chopin, and SchumannCharles FiskMusical Awakenings: The Experiences of a Queer Music Therapist in the Face of HIV and AIDSColin Andrew LeeToward a Trans* Method in MusicologyDana BaitzQuare Times: An Introduction to a Queer Perspective on Afrofuturism and a Reading of Sun Ra>'s Space Is the PlaceTim StüttgenMusical Abjects: Sounds and Objectionable SexualitiesJenny Olivia JohnsonMusic in the Margins: Queerness in the Clerical Imagination, 1200-1500Lisa ColtonThe Queer History of the CastratoEmily WilbourneQueering Middle Class Gender in Nineteenth-Century US TheaterGillian RodgerAnglophone Songs about HIV/AIDSMatthew J. JonesQueer Patriotism in the Eurovision Song ContestIvan RaykoffInterdisciplinary Enqueeries from India: Moving Toward a Queer EthnomusicologyZoe SherinianKunqu Cross-dressing as Artistic and/or Queer PerformanceJoseph S. C. LamNon-ordinary Gender and Sexuality in Indonesian PerformanceHenry SpillerOut in the Undercurrents: Queer Politics in Hong Kong Popular MusicYiu Fai Chow and Jeroen De KloetHow to Do Things with Theory: Cultural "Transcription," "Queerness," and Ukrainian PopStephen Amico

Fred Everett Maus and Sheila Whiteley, together with the theatre and performance scholar and Afro-American studies professor Tavia Nyong'o and the ethnomusicologist Zoe Sherinian, attempt to do justice to the not exactly easy claim to do justice to the diversity of the topics offered in a handbook with a great variety of a total of 32 text contributions in six sections.