Juliette Atkinson studied at UCL and the University of Oxford. Since 2009 she has worked at UCL, where she is now Professor of English. Her research focuses on three main areas: nineteenth-century fiction (especially the work of George Eliot, two of whose novels she has edited for the Oxford World's Classics series), life-writing (she has published on the Victorian preoccupation with 'obscure' lives) and transnational literary works, and Anglo-French exchanges in particular. She is also an editor (Victorian-present) for The Review of English Studies.Elisha Cohn received her PhD from the Johns Hopkins University. Since 2011, she has worked in the Department of Literatures in English at Cornell University, where she is currently Associate Professor. Her research and teaching focuses on theory of the novel from the nineteenth century to present; literature and science; and affect theory. She is the author of Still Life: Suspended Development in the Victorian Novel (OUP, 2016) and essays in Victorian Studies, Victorian Literature and Culture, Contemporary Literature, and elsewhere.

• Juliette Atkinson and Elisha Cohn: Introduction Part I: Life and Networks 1: Philip Davis: George Eliot's Life-Writing 2: Sebastian Lecourt: George Eliot among Evangelicals, Dissenters, and Freethinkers 3: Fionnuala Dillane: Marian Evans, 'George Eliot' and Nineteenth-Century Media Communities 4: Supritha Rajan: George Eliot among Philosophers and Scientists 5: Elsie Michie: George Eliot and Contemporary Writers 6: Nancy Henry: George Eliot Abroad Part II: Influences 7: Isobel Hurst: George Eliot and the Classics 8: Anthony Ossa-Richardson: George Eliot and Early Modern Practical Divinity 9: Alison Milbank: George Eliot, Dante, and Milton 10: Gail Marshall: George Eliot and Shakespeare 11: Charlotte Roberts: George Eliot and Eighteenth-Century and Romantic fiction 12: Thomas Owens: George Eliot and Wordsworth 13: Linda K. Hughes: George Eliot and Goethe 14: John Rignall: George Eliot and French Literature 15: Deborah Epstein Nord: George Eliot and the Visual Arts 16: Shannon Draucker: George Eliot and Music Part III: Works 17: Ruth Abbott: George Eliot's Notebooks 18: Kathryn Sutherland: George Eliot's Manuscripts 19: Rosemarie Bodenheimer: George Eliot's Letters 20: Juliette Atkinson: George Eliot's Journals 21: Matthew Sussman: George Eliot's Essays 22: Clare Carlisle: George Eliot's Translations 23: Stefanie Markovits: George Eliot's Poetry 24: Audrey Jaffe: Scenes of Clerical Life: Genre and the Genealogy of George Eliot s Realism 25: Anna Neill: 'The Lifted Veil', 'Brother Jacob', and Short Form 26: Summer J. Star: Adam Bede and Work 27: Cristina Griffin: The Mill on the Floss and Intimacy 28: Elisha Cohn: Silas Marner and Affect 29: David Sweeney Coombs: Romola and Presentism 30: Ruth Livesey: Felix Holt and the Politics of Middle England 31: Gerard Cohen-Vrignaud: The Intersectional Spanish Gypsy 32: Gage McWeeny: Distantly Reading Middlemarch 33: Jessica R. Valdez: Daniel Deronda and the Forms of Belonging 34: Kent Puckett: George Eliot's Late Style: Impressions of Theophrastus Such Part IV: Form 35: Ayelet Ben-Yishai: Revisiting George Eliot's Realism 36: Matthew Kaiser: Tragedy, Comedy, and George Eliot 37: Carolyn Williams: George Eliot and Theatricality 38: Jesse Rosenthal: George Eliot's Omniscient Narrator 39: Jonathan Farina: George Eliot's Dialogue 40: Yi-Ping Ong: George Eliot and Character 41: John Plotz: George Eliot's Rhythms 42: Daniel Tyler: George Eliot's Grammar 43: Devin Griffiths: George Eliot and Metaphor 44: Isabella Brooks-Ward: Aphorisms and Maxims in George Eliot Part V: Afterlives 45: Aaron Rosenberg: George Eliot's Modern Forms 46: Alison Booth: Locating the Gendered Reception of George Eliot, 1880-1930 47: Olivia Moy and Sungmey Lee: George Eliot's East Asian Afterlives 48: Howard Jacobson: Perspectives on Middlemarch: Middlemarch and Contemporary Fiction 49: Dinah Birch: Perspectives on Middlemarch: Middlemarch and the Value of the Humanities 50: Caroline Levine: Perspectives on Middlemarch: Middlemarch as World Literature 51: Nancy Yousef: Perspectives on Middlemarch: The Philosophical Art/Work of Middlemarch 52: Robert Douglas-Fairhurst: Perspectives on Middlemarch: Two Middlemarch Sentences

This is a monumental achievement and an exceptional addition to George Eliot studies The calibre of the contributions as of the whole conception and execution guarantee its durability, just as the volume itself is evidence of George Eliot's durability, and of her capacity to excite.

Juliette Atkinson studied at UCL and the University of Oxford. Since 2009 she has worked at UCL, where she is now Professor of English. Her research focuses on three main areas: nineteenth-century fiction (especially the work of George Eliot, two of whose novels she has edited for the Oxford World's Classics series), life-writing (she has published on the Victorian preoccupation with 'obscure' lives) and transnational literary works, and Anglo-French exchanges in particular. She is also an editor (Victorian-present) for The Review of English Studies.Elisha Cohn received her PhD from the Johns Hopkins University. Since 2011, she has worked in the Department of Literatures in English at Cornell University, where she is currently Associate Professor. Her research and teaching focuses on theory of the novel from the nineteenth century to present; literature and science; and affect theory. She is the author of Still Life: Suspended Development in the Victorian Novel (OUP, 2016) and essays in Victorian Studies, Victorian Literature and Culture, Contemporary Literature, and elsewhere.

• Juliette Atkinson and Elisha Cohn: Introduction Part I: Life and Networks 1: Philip Davis: George Eliot's Life-Writing 2: Sebastian Lecourt: George Eliot among Evangelicals, Dissenters, and Freethinkers 3: Fionnuala Dillane: Marian Evans, 'George Eliot' and Nineteenth-Century Media Communities 4: Supritha Rajan: George Eliot among Philosophers and Scientists 5: Elsie Michie: George Eliot and Contemporary Writers 6: Nancy Henry: George Eliot Abroad Part II: Influences 7: Isobel Hurst: George Eliot and the Classics 8: Anthony Ossa-Richardson: George Eliot and Early Modern Practical Divinity 9: Alison Milbank: George Eliot, Dante, and Milton 10: Gail Marshall: George Eliot and Shakespeare 11: Charlotte Roberts: George Eliot and Eighteenth-Century and Romantic fiction 12: Thomas Owens: George Eliot and Wordsworth 13: Linda K. Hughes: George Eliot and Goethe 14: John Rignall: George Eliot and French Literature 15: Deborah Epstein Nord: George Eliot and the Visual Arts 16: Shannon Draucker: George Eliot and Music Part III: Works 17: Ruth Abbott: George Eliot's Notebooks 18: Kathryn Sutherland: George Eliot's Manuscripts 19: Rosemarie Bodenheimer: George Eliot's Letters 20: Juliette Atkinson: George Eliot's Journals 21: Matthew Sussman: George Eliot's Essays 22: Clare Carlisle: George Eliot's Translations 23: Stefanie Markovits: George Eliot's Poetry 24: Audrey Jaffe: Scenes of Clerical Life: Genre and the Genealogy of George Eliot s Realism 25: Anna Neill: 'The Lifted Veil', 'Brother Jacob', and Short Form 26: Summer J. Star: Adam Bede and Work 27: Cristina Griffin: The Mill on the Floss and Intimacy 28: Elisha Cohn: Silas Marner and Affect 29: David Sweeney Coombs: Romola and Presentism 30: Ruth Livesey: Felix Holt and the Politics of Middle England 31: Gerard Cohen-Vrignaud: The Intersectional Spanish Gypsy 32: Gage McWeeny: Distantly Reading Middlemarch 33: Jessica R. Valdez: Daniel Deronda and the Forms of Belonging 34: Kent Puckett: George Eliot's Late Style: Impressions of Theophrastus Such Part IV: Form 35: Ayelet Ben-Yishai: Revisiting George Eliot's Realism 36: Matthew Kaiser: Tragedy, Comedy, and George Eliot 37: Carolyn Williams: George Eliot and Theatricality 38: Jesse Rosenthal: George Eliot's Omniscient Narrator 39: Jonathan Farina: George Eliot's Dialogue 40: Yi-Ping Ong: George Eliot and Character 41: John Plotz: George Eliot's Rhythms 42: Daniel Tyler: George Eliot's Grammar 43: Devin Griffiths: George Eliot and Metaphor 44: Isabella Brooks-Ward: Aphorisms and Maxims in George Eliot Part V: Afterlives 45: Aaron Rosenberg: George Eliot's Modern Forms 46: Alison Booth: Locating the Gendered Reception of George Eliot, 1880-1930 47: Olivia Moy and Sungmey Lee: George Eliot's East Asian Afterlives 48: Howard Jacobson: Perspectives on Middlemarch: Middlemarch and Contemporary Fiction 49: Dinah Birch: Perspectives on Middlemarch: Middlemarch and the Value of the Humanities 50: Caroline Levine: Perspectives on Middlemarch: Middlemarch as World Literature 51: Nancy Yousef: Perspectives on Middlemarch: The Philosophical Art/Work of Middlemarch 52: Robert Douglas-Fairhurst: Perspectives on Middlemarch: Two Middlemarch Sentences

This is a monumental achievement and an exceptional addition to George Eliot studies The calibre of the contributions as of the whole conception and execution guarantee its durability, just as the volume itself is evidence of George Eliot's durability, and of her capacity to excite.

Juliette Atkinson studied at UCL and the University of Oxford. Since 2009 she has worked at UCL, where she is now Professor of English. Her research focuses on three main areas: nineteenth-century fiction (especially the work of George Eliot, two of whose novels she has edited for the Oxford World's Classics series), life-writing (she has published on the Victorian preoccupation with 'obscure' lives) and transnational literary works, and Anglo-French exchanges in particular. She is also an editor (Victorian-present) for The Review of English Studies.Elisha Cohn received her PhD from the Johns Hopkins University. Since 2011, she has worked in the Department of Literatures in English at Cornell University, where she is currently Associate Professor. Her research and teaching focuses on theory of the novel from the nineteenth century to present; literature and science; and affect theory. She is the author of Still Life: Suspended Development in the Victorian Novel (OUP, 2016) and essays in Victorian Studies, Victorian Literature and Culture, Contemporary Literature, and elsewhere.

• Juliette Atkinson and Elisha Cohn: Introduction Part I: Life and Networks 1: Philip Davis: George Eliot's Life-Writing 2: Sebastian Lecourt: George Eliot among Evangelicals, Dissenters, and Freethinkers 3: Fionnuala Dillane: Marian Evans, 'George Eliot' and Nineteenth-Century Media Communities 4: Supritha Rajan: George Eliot among Philosophers and Scientists 5: Elsie Michie: George Eliot and Contemporary Writers 6: Nancy Henry: George Eliot Abroad Part II: Influences 7: Isobel Hurst: George Eliot and the Classics 8: Anthony Ossa-Richardson: George Eliot and Early Modern Practical Divinity 9: Alison Milbank: George Eliot, Dante, and Milton 10: Gail Marshall: George Eliot and Shakespeare 11: Charlotte Roberts: George Eliot and Eighteenth-Century and Romantic fiction 12: Thomas Owens: George Eliot and Wordsworth 13: Linda K. Hughes: George Eliot and Goethe 14: John Rignall: George Eliot and French Literature 15: Deborah Epstein Nord: George Eliot and the Visual Arts 16: Shannon Draucker: George Eliot and Music Part III: Works 17: Ruth Abbott: George Eliot's Notebooks 18: Kathryn Sutherland: George Eliot's Manuscripts 19: Rosemarie Bodenheimer: George Eliot's Letters 20: Juliette Atkinson: George Eliot's Journals 21: Matthew Sussman: George Eliot's Essays 22: Clare Carlisle: George Eliot's Translations 23: Stefanie Markovits: George Eliot's Poetry 24: Audrey Jaffe: Scenes of Clerical Life: Genre and the Genealogy of George Eliot s Realism 25: Anna Neill: 'The Lifted Veil', 'Brother Jacob', and Short Form 26: Summer J. Star: Adam Bede and Work 27: Cristina Griffin: The Mill on the Floss and Intimacy 28: Elisha Cohn: Silas Marner and Affect 29: David Sweeney Coombs: Romola and Presentism 30: Ruth Livesey: Felix Holt and the Politics of Middle England 31: Gerard Cohen-Vrignaud: The Intersectional Spanish Gypsy 32: Gage McWeeny: Distantly Reading Middlemarch 33: Jessica R. Valdez: Daniel Deronda and the Forms of Belonging 34: Kent Puckett: George Eliot's Late Style: Impressions of Theophrastus Such Part IV: Form 35: Ayelet Ben-Yishai: Revisiting George Eliot's Realism 36: Matthew Kaiser: Tragedy, Comedy, and George Eliot 37: Carolyn Williams: George Eliot and Theatricality 38: Jesse Rosenthal: George Eliot's Omniscient Narrator 39: Jonathan Farina: George Eliot's Dialogue 40: Yi-Ping Ong: George Eliot and Character 41: John Plotz: George Eliot's Rhythms 42: Daniel Tyler: George Eliot's Grammar 43: Devin Griffiths: George Eliot and Metaphor 44: Isabella Brooks-Ward: Aphorisms and Maxims in George Eliot Part V: Afterlives 45: Aaron Rosenberg: George Eliot's Modern Forms 46: Alison Booth: Locating the Gendered Reception of George Eliot, 1880-1930 47: Olivia Moy and Sungmey Lee: George Eliot's East Asian Afterlives 48: Howard Jacobson: Perspectives on Middlemarch: Middlemarch and Contemporary Fiction 49: Dinah Birch: Perspectives on Middlemarch: Middlemarch and the Value of the Humanities 50: Caroline Levine: Perspectives on Middlemarch: Middlemarch as World Literature 51: Nancy Yousef: Perspectives on Middlemarch: The Philosophical Art/Work of Middlemarch 52: Robert Douglas-Fairhurst: Perspectives on Middlemarch: Two Middlemarch Sentences

This is a monumental achievement and an exceptional addition to George Eliot studies The calibre of the contributions as of the whole conception and execution guarantee its durability, just as the volume itself is evidence of George Eliot's durability, and of her capacity to excite.