Carlos Rojas is Associate Professor of Chinese Cultural Studies, Women's Studies, and Arts of the Moving Image at Duke University. He is the author of The Great Wall: A Cultural History (Harvard UP, 2010).Eileen Chow is Assistant Professor of Chinese Literary and Cultural Studies at Harvard University. She is the coeditor, with Carlos Rojas, of Rethinking Chinese Popular Culture: Cannibalizations of the Canon (Routledge, 2009)

• HISTORY 1) Jianhua Chen,"D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai"2) Kristine Harris,"Ombres Chinoises: Split-Screens and Parallel Lives in Love and Duty"3) David Der-wei Wang,"Fei Mu, Mei Lanfang, and the Polemics of Screening China"4) Jie Li,"A National Cinema for a Puppet State: The Manchurian Motion Picture Association"5) Yomi Braester"A Genealogy of Cinephilia in the Maoist Period"6) Poshek Fu "Cold War Hong Kong and Mid-twentieth Century Mandarin Cinema" 7) Tsungyi Michelle Huang "Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema"8) Song Hwee Lim"Taiwan New Cinema: Small Nation with Soft Power"9) Michael Berry "Chinese Cinema with Hollywood Characteristics, or How The Karate Kid became a Chinese Film" 10) Pheng Cheah, "World as Picture and Ruination: On Jia Zhangke's Still Life as World Cinema" FORM 1) Stephen Teo, "The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form"2) Emilie Yueh-yu Yeh, "A Small History of Wenyi" 3) Ban Wang,"Art, Politics, and Internationalism: Korean War Films in Chinese Cinema"4) Gary Gang Xu, "Edification through Affection: The Cultural Revolution Films, 1974-76"5) Michael Eng, "Reforming Vengeance: Kung Fu and the Racial Melancholia of Chinese Masculinity"6) Sean Metzger "Desire and Distribution: Queer/Chinese/Cinema"7) Yingjin Zhang, "Thirdspace Between Flows and Places: Chinese Independent Documentary and Social Theories of Space and Locality"8) Ying Zhu,"From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama"9) Audrey Yue,"New Media: Large Screens in China"10) Paola Voci, "Online Small Screen Cinema: The Cinema of Attractions and the Emancipated Spectator" STRUCTURE 1) Jason McGrath "Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film" 2) James Tweedie,"Edward Yang and Taiwan's Age of Auteurs"3) Darrell William Davis, "A Marriage of Convenience: Musical Moments in Chinese Films"4) Zhiwei Xiao"Policing Film in Early 20th Century China, 1905-1923"5) Laikwan Pang,"Between Will and Negotiation: Film Policy in the First Three Years of People's Republic of China"6) Rey Chow,"Fetish Power Unbound: A Small History of 'Woman' in Chinese Cinema" 7) Louisa Schein, "Ethnographic Representation Across Genres: The Culture Trope in Contemporary Mainland Media"6) Andy Rodhekohr, "Conjuring the Masses: The Spectral / Spectacular Crowd in Chinese Film"9) Kwai-Cheung Lo,"The Idea of Asia(nism) and Trans-Asian Productions"10) Eugene Wang,"Film and Contemporary Chinese Art: Mediums and Remediation" 11) Ying Qian, "Crossing the Same River Twice: Documentary Re-enactment and the Founding of PRC Documentary Cinema"12) Yiman Wang, "Remade in China: Chinese Cinema in the Age of Blockbuster"13) Carlos Rojas, "Cinematic Encounters in Tsai Ming-liang's The River"