Janine Marchessault is Professor of Cinema and Media at York University. She is the author of Ecstatic Worlds: Media, Utopias and Ecologies (2017); Cosmic Media: Marshall McLuhan (2005); and (co)editor of numerous collections including 3D Cinema and Beyond (w/ D. Adler et al 2013); Reimagining Cinema: Film at Expo 67 (w/ M. Gagnon 2014); and Cartographies of Place: Navigating the Urban (w/ M. Darroch 2014).Will Straw is James McGill Professor of Urban Media Studies in the Department of Art History and Communications Studies at McGill University in Montreal. He is the author of Cyanide and Sin: Visualizing Crime in 1950s America (2006) and an editor or co-editor of over 20 volumes of scholarship, including the Cambridge Companion of Rock and Pop, Circulation and the City, Formes urbaines, Intersections of Media and Communications: Concepts and Critical Frameworks and Accounting for Culture: Thinking through Cultural Citizenship.

• Introduction I. Frames1. Three Canadian Film Policy FrameworksIra Wagman 2. Canadian Cinema and the Intellectual MilieuRichard Cavell 3. On the Road: Canadian Cinema and the WorldJoumane Chahine 4. Landscape as Cinematic EffectJohanne Sloan 5. Movie Envy: Cinema in the White Cube (Montreal, 1995-2015)Olivier Asselin II. Cultures6. (Re)Claiming Cultural Identity: The NFB's Eskimo Legends and Inuit Animation from Cape DorsetSuzanne Buchan 7. Canadian Indigenous Cinema: From Alanis Obomsawin to the Wapikoni MobileKarine Bertrand 8. The Polarities and Hybridities of Arctic CinemasScott MacKenzie and Anna Westerståhl Stenport 9. Diasporic Intimacy: Chinese-Canadian Documentary and the Poetics of RelationLily Cho 10. Canadian Cinema and its BordersGraciela Martínez-Zalce III. Cities/Places11. Regional Scenes and Canadian Screens: Film in Atlantic CanadaDarrell Varga 12. A Poetics of DiscretionMarion Froger 13. The Emotional Geographies of Quebec CinemaDaniel Laforest 14. Toronto on ScreenIan Robinson IV. Sensibilities15. Quebec Cinema as Global CinemaWilliam Marshall 16. Stand Tall: Winnipeg Cinema and the Civic ImaginaryAndrew Burke 17. Still Here, Still Queer? Rethinking Queer Canadian Cinemas/Canadian Cinemas QueeredThomas Waugh and Fulvia Massimi with Lisa Aalders 18. Political Modernism, Policy Environments and Digital Daring: The Changing Politics and Practice of Cine-Feminism in Quebec, 1967-2015Brenda Longfellow 19. From Expanded to Intimate Cinemas in Canadian Experimental Film/VideoMonika Kin Gagnon V. Forms and Genres20. The Bloody Brood: Canadian Horror Cinema-Past and PresentScott Preston 21. Popular Quebec Cinema and the Appeal of Folk HomogeneityAndré Loiselle 22. The Musicality of Canadian CinemaMichael Brendan Baker 23. The World Navigate: Interactive Documentaries in CanadaJessica Mulvogue 24. The Gaming TurnBruno Lessard

The Oxford Handbook of Canadian Cinema is a welcome addition to the literature on Canadian cinema and screen practices offering essays that will work well as course readings but which also offer insights into emerging areas or turning to areas that have been previously underexamined (musicality in Canadian cinema anyone?).

Janine Marchessault is Professor of Cinema and Media at York University. She is the author of Ecstatic Worlds: Media, Utopias and Ecologies (2017); Cosmic Media: Marshall McLuhan (2005); and (co)editor of numerous collections including 3D Cinema and Beyond (w/ D. Adler et al 2013); Reimagining Cinema: Film at Expo 67 (w/ M. Gagnon 2014); and Cartographies of Place: Navigating the Urban (w/ M. Darroch 2014).Will Straw is James McGill Professor of Urban Media Studies in the Department of Art History and Communications Studies at McGill University in Montreal. He is the author of Cyanide and Sin: Visualizing Crime in 1950s America (2006) and an editor or co-editor of over 20 volumes of scholarship, including the Cambridge Companion of Rock and Pop, Circulation and the City, Formes urbaines, Intersections of Media and Communications: Concepts and Critical Frameworks and Accounting for Culture: Thinking through Cultural Citizenship.

• Introduction I. Frames1. Three Canadian Film Policy FrameworksIra Wagman 2. Canadian Cinema and the Intellectual MilieuRichard Cavell 3. On the Road: Canadian Cinema and the WorldJoumane Chahine 4. Landscape as Cinematic EffectJohanne Sloan 5. Movie Envy: Cinema in the White Cube (Montreal, 1995-2015)Olivier Asselin II. Cultures6. (Re)Claiming Cultural Identity: The NFB's Eskimo Legends and Inuit Animation from Cape DorsetSuzanne Buchan 7. Canadian Indigenous Cinema: From Alanis Obomsawin to the Wapikoni MobileKarine Bertrand 8. The Polarities and Hybridities of Arctic CinemasScott MacKenzie and Anna Westerståhl Stenport 9. Diasporic Intimacy: Chinese-Canadian Documentary and the Poetics of RelationLily Cho 10. Canadian Cinema and its BordersGraciela Martínez-Zalce III. Cities/Places11. Regional Scenes and Canadian Screens: Film in Atlantic CanadaDarrell Varga 12. A Poetics of DiscretionMarion Froger 13. The Emotional Geographies of Quebec CinemaDaniel Laforest 14. Toronto on ScreenIan Robinson IV. Sensibilities15. Quebec Cinema as Global CinemaWilliam Marshall 16. Stand Tall: Winnipeg Cinema and the Civic ImaginaryAndrew Burke 17. Still Here, Still Queer? Rethinking Queer Canadian Cinemas/Canadian Cinemas QueeredThomas Waugh and Fulvia Massimi with Lisa Aalders 18. Political Modernism, Policy Environments and Digital Daring: The Changing Politics and Practice of Cine-Feminism in Quebec, 1967-2015Brenda Longfellow 19. From Expanded to Intimate Cinemas in Canadian Experimental Film/VideoMonika Kin Gagnon V. Forms and Genres20. The Bloody Brood: Canadian Horror Cinema-Past and PresentScott Preston 21. Popular Quebec Cinema and the Appeal of Folk HomogeneityAndré Loiselle 22. The Musicality of Canadian CinemaMichael Brendan Baker 23. The World Navigate: Interactive Documentaries in CanadaJessica Mulvogue 24. The Gaming TurnBruno Lessard

The Oxford Handbook of Canadian Cinema is a welcome addition to the literature on Canadian cinema and screen practices offering essays that will work well as course readings but which also offer insights into emerging areas or turning to areas that have been previously underexamined (musicality in Canadian cinema anyone?).

Janine Marchessault is Professor of Cinema and Media at York University. She is the author of Ecstatic Worlds: Media, Utopias and Ecologies (2017); Cosmic Media: Marshall McLuhan (2005); and (co)editor of numerous collections including 3D Cinema and Beyond (w/ D. Adler et al 2013); Reimagining Cinema: Film at Expo 67 (w/ M. Gagnon 2014); and Cartographies of Place: Navigating the Urban (w/ M. Darroch 2014).Will Straw is James McGill Professor of Urban Media Studies in the Department of Art History and Communications Studies at McGill University in Montreal. He is the author of Cyanide and Sin: Visualizing Crime in 1950s America (2006) and an editor or co-editor of over 20 volumes of scholarship, including the Cambridge Companion of Rock and Pop, Circulation and the City, Formes urbaines, Intersections of Media and Communications: Concepts and Critical Frameworks and Accounting for Culture: Thinking through Cultural Citizenship.

• Introduction I. Frames1. Three Canadian Film Policy FrameworksIra Wagman 2. Canadian Cinema and the Intellectual MilieuRichard Cavell 3. On the Road: Canadian Cinema and the WorldJoumane Chahine 4. Landscape as Cinematic EffectJohanne Sloan 5. Movie Envy: Cinema in the White Cube (Montreal, 1995-2015)Olivier Asselin II. Cultures6. (Re)Claiming Cultural Identity: The NFB's Eskimo Legends and Inuit Animation from Cape DorsetSuzanne Buchan 7. Canadian Indigenous Cinema: From Alanis Obomsawin to the Wapikoni MobileKarine Bertrand 8. The Polarities and Hybridities of Arctic CinemasScott MacKenzie and Anna Westerståhl Stenport 9. Diasporic Intimacy: Chinese-Canadian Documentary and the Poetics of RelationLily Cho 10. Canadian Cinema and its BordersGraciela Martínez-Zalce III. Cities/Places11. Regional Scenes and Canadian Screens: Film in Atlantic CanadaDarrell Varga 12. A Poetics of DiscretionMarion Froger 13. The Emotional Geographies of Quebec CinemaDaniel Laforest 14. Toronto on ScreenIan Robinson IV. Sensibilities15. Quebec Cinema as Global CinemaWilliam Marshall 16. Stand Tall: Winnipeg Cinema and the Civic ImaginaryAndrew Burke 17. Still Here, Still Queer? Rethinking Queer Canadian Cinemas/Canadian Cinemas QueeredThomas Waugh and Fulvia Massimi with Lisa Aalders 18. Political Modernism, Policy Environments and Digital Daring: The Changing Politics and Practice of Cine-Feminism in Quebec, 1967-2015Brenda Longfellow 19. From Expanded to Intimate Cinemas in Canadian Experimental Film/VideoMonika Kin Gagnon V. Forms and Genres20. The Bloody Brood: Canadian Horror Cinema-Past and PresentScott Preston 21. Popular Quebec Cinema and the Appeal of Folk HomogeneityAndré Loiselle 22. The Musicality of Canadian CinemaMichael Brendan Baker 23. The World Navigate: Interactive Documentaries in CanadaJessica Mulvogue 24. The Gaming TurnBruno Lessard

The Oxford Handbook of Canadian Cinema is a welcome addition to the literature on Canadian cinema and screen practices offering essays that will work well as course readings but which also offer insights into emerging areas or turning to areas that have been previously underexamined (musicality in Canadian cinema anyone?).