Martin Munro is Winthrop-King Professor of French and Francophone Studies at Florida State University. He previously worked in Scotland, Ireland, and Trinidad. His publications include Writing on the Fault Line: Haitian Literature and the Earthquake of 2010 (Liverpool University Press, 2014), Tropical Apocalypse: Haiti and the Caribbean End Times (Liverpool University Press, 2015), and Listening to the Caribbean: Sounds of Slavery, Revolt, and Race (Liverpool University Press, 2022). He is Director of the Winthrop-King Institute for Contemporary French and Francophone Studies at Florida State.

• Introduction: Sound Clashes Chapter One: Sounding Francophone Caribbean Poetics Chapter Two: Time Out in Trinidad: White "Expatriates" in the Late Colonial Period Chapter Three: Sound Touristics Chapter Four: Who Stole the Soul? Rhythm and Race in the Digital Age Coda: The Music of the FutureIndex

Munro's work is fertile ground for interdisciplinary explorations and is most appropriate for students who have a contextual foundation in the study of the Caribbean. This text is an advanced read and would be most useful with guided instruction and interactive discussions.

Martin Munro is Winthrop-King Professor of French and Francophone Studies at Florida State University. He previously worked in Scotland, Ireland, and Trinidad. His publications include Writing on the Fault Line: Haitian Literature and the Earthquake of 2010 (Liverpool University Press, 2014), Tropical Apocalypse: Haiti and the Caribbean End Times (Liverpool University Press, 2015), and Listening to the Caribbean: Sounds of Slavery, Revolt, and Race (Liverpool University Press, 2022). He is Director of the Winthrop-King Institute for Contemporary French and Francophone Studies at Florida State.

• Introduction: Sound Clashes Chapter One: Sounding Francophone Caribbean Poetics Chapter Two: Time Out in Trinidad: White "Expatriates" in the Late Colonial Period Chapter Three: Sound Touristics Chapter Four: Who Stole the Soul? Rhythm and Race in the Digital Age Coda: The Music of the FutureIndex

Munro's work is fertile ground for interdisciplinary explorations and is most appropriate for students who have a contextual foundation in the study of the Caribbean. This text is an advanced read and would be most useful with guided instruction and interactive discussions.

Martin Munro is Winthrop-King Professor of French and Francophone Studies at Florida State University. He previously worked in Scotland, Ireland, and Trinidad. His publications include Writing on the Fault Line: Haitian Literature and the Earthquake of 2010 (Liverpool University Press, 2014), Tropical Apocalypse: Haiti and the Caribbean End Times (Liverpool University Press, 2015), and Listening to the Caribbean: Sounds of Slavery, Revolt, and Race (Liverpool University Press, 2022). He is Director of the Winthrop-King Institute for Contemporary French and Francophone Studies at Florida State.

• Introduction: Sound Clashes Chapter One: Sounding Francophone Caribbean Poetics Chapter Two: Time Out in Trinidad: White "Expatriates" in the Late Colonial Period Chapter Three: Sound Touristics Chapter Four: Who Stole the Soul? Rhythm and Race in the Digital Age Coda: The Music of the FutureIndex

Munro's work is fertile ground for interdisciplinary explorations and is most appropriate for students who have a contextual foundation in the study of the Caribbean. This text is an advanced read and would be most useful with guided instruction and interactive discussions.