Eliza Garnsey is a British Academy Postdoctoral Fellow in International Relations at the University of Cambridge and is Junior Research Fellow at Wolfson College, Cambridge. She was previously awarded the 2017 Lisa Smirl Ph.D. Prize for best thesis in Politics and International Studies, University of Cambridge.

• 1. Introduction; 2. Art and justice in times of transition; Part I. Recognising Transitional Justice in the Nation State: 3. From prison to court; 4. Shaping 'legal' space; 5. The art of recognition; 6. The visual jurisprudence of transition; Part II. Representing Transitional Justice on the Global Stage: 7. From banned to embraced; 8. Mapping political art-scapes; 9. The art of representation; 10. The cultural diplomacy of Imaginary Fact; 11. Conclusion.

‘In this pioneering interdisciplinary book, Eliza Garnsey offers a compelling account of the complex and productive relationship between visual art and transitional justice. Based on extensive ethnographic fieldwork in the South African Constitutional Court and at the Venice Biennale, she shows both how the South African state has attempted to mobilise art as an instrument of cultural diplomacy and how art often escapes efforts to harness it, instead opening up new dimensions of experience and novel sources of political and ethical insight.’ Duncan Bell, University of Cambridge

Eliza Garnsey is a British Academy Postdoctoral Fellow in International Relations at the University of Cambridge and is Junior Research Fellow at Wolfson College, Cambridge. She was previously awarded the 2017 Lisa Smirl Ph.D. Prize for best thesis in Politics and International Studies, University of Cambridge.

• 1. Introduction; 2. Art and justice in times of transition; Part I. Recognising Transitional Justice in the Nation State: 3. From prison to court; 4. Shaping 'legal' space; 5. The art of recognition; 6. The visual jurisprudence of transition; Part II. Representing Transitional Justice on the Global Stage: 7. From banned to embraced; 8. Mapping political art-scapes; 9. The art of representation; 10. The cultural diplomacy of Imaginary Fact; 11. Conclusion.

‘In this pioneering interdisciplinary book, Eliza Garnsey offers a compelling account of the complex and productive relationship between visual art and transitional justice. Based on extensive ethnographic fieldwork in the South African Constitutional Court and at the Venice Biennale, she shows both how the South African state has attempted to mobilise art as an instrument of cultural diplomacy and how art often escapes efforts to harness it, instead opening up new dimensions of experience and novel sources of political and ethical insight.’ Duncan Bell, University of Cambridge

Eliza Garnsey is a British Academy Postdoctoral Fellow in International Relations at the University of Cambridge and is Junior Research Fellow at Wolfson College, Cambridge. She was previously awarded the 2017 Lisa Smirl Ph.D. Prize for best thesis in Politics and International Studies, University of Cambridge.

• 1. Introduction; 2. Art and justice in times of transition; Part I. Recognising Transitional Justice in the Nation State: 3. From prison to court; 4. Shaping 'legal' space; 5. The art of recognition; 6. The visual jurisprudence of transition; Part II. Representing Transitional Justice on the Global Stage: 7. From banned to embraced; 8. Mapping political art-scapes; 9. The art of representation; 10. The cultural diplomacy of Imaginary Fact; 11. Conclusion.

‘In this pioneering interdisciplinary book, Eliza Garnsey offers a compelling account of the complex and productive relationship between visual art and transitional justice. Based on extensive ethnographic fieldwork in the South African Constitutional Court and at the Venice Biennale, she shows both how the South African state has attempted to mobilise art as an instrument of cultural diplomacy and how art often escapes efforts to harness it, instead opening up new dimensions of experience and novel sources of political and ethical insight.’ Duncan Bell, University of Cambridge