Lene Østermark-Johansen teaches English art and literature at the University of Copenhagen and is a Fellow of the Royal Danish Academy of Sciences and Letters. She has a long-standing interest in word-image relations and has published extensively on Walter Pater and a range of other late nineteenth-century writers. Østermark-Johansen is the author of Sweetness and Strength: The Reception of Michelangelo in Late Victorian England (1998) and of Walter Pater and the Language of Sculpture (2011). She is currently working on a monograph on Pater and portraiture.

• General Editors' Preface Acknowledgements Chronology Critical Introduction Textual Introduction Biographical Register IMAGINARY PORTRAITS 'A Prince of Court Painters: Extracts from an Old French Journal' 'Denys l'Auxerrois' 'Sebastian van Storck' 'Duke Carl of Rosenmold' An Imaginary Poet: The Child in the House 'Imaginary Portraits 2: An English Poet' 'Hippolytus Veiled: A Study from Euripides' 'Emerald Uthwart' 'Apollo in Picardy' Notes and Endmatter Textual Variants Explanatory Notes Appendix: The Daniel Press Edition of 'The Child in the House' (1894) Bibliography Index

In 2019, Pater specialists and enthusiasts welcomed Imaginary Portraits...[Lene Østermark-Johansen] amasses numerous examples of the expression 'imaginary portrait' as used in English literature and culture since the end of the eighteenth century and through the Romantic and Victorian ages.

Lene Østermark-Johansen teaches English art and literature at the University of Copenhagen and is a Fellow of the Royal Danish Academy of Sciences and Letters. She has a long-standing interest in word-image relations and has published extensively on Walter Pater and a range of other late nineteenth-century writers. Østermark-Johansen is the author of Sweetness and Strength: The Reception of Michelangelo in Late Victorian England (1998) and of Walter Pater and the Language of Sculpture (2011). She is currently working on a monograph on Pater and portraiture.

• General Editors' Preface Acknowledgements Chronology Critical Introduction Textual Introduction Biographical Register IMAGINARY PORTRAITS 'A Prince of Court Painters: Extracts from an Old French Journal' 'Denys l'Auxerrois' 'Sebastian van Storck' 'Duke Carl of Rosenmold' An Imaginary Poet: The Child in the House 'Imaginary Portraits 2: An English Poet' 'Hippolytus Veiled: A Study from Euripides' 'Emerald Uthwart' 'Apollo in Picardy' Notes and Endmatter Textual Variants Explanatory Notes Appendix: The Daniel Press Edition of 'The Child in the House' (1894) Bibliography Index

In 2019, Pater specialists and enthusiasts welcomed Imaginary Portraits...[Lene Østermark-Johansen] amasses numerous examples of the expression 'imaginary portrait' as used in English literature and culture since the end of the eighteenth century and through the Romantic and Victorian ages.

Lene Østermark-Johansen teaches English art and literature at the University of Copenhagen and is a Fellow of the Royal Danish Academy of Sciences and Letters. She has a long-standing interest in word-image relations and has published extensively on Walter Pater and a range of other late nineteenth-century writers. Østermark-Johansen is the author of Sweetness and Strength: The Reception of Michelangelo in Late Victorian England (1998) and of Walter Pater and the Language of Sculpture (2011). She is currently working on a monograph on Pater and portraiture.

• General Editors' Preface Acknowledgements Chronology Critical Introduction Textual Introduction Biographical Register IMAGINARY PORTRAITS 'A Prince of Court Painters: Extracts from an Old French Journal' 'Denys l'Auxerrois' 'Sebastian van Storck' 'Duke Carl of Rosenmold' An Imaginary Poet: The Child in the House 'Imaginary Portraits 2: An English Poet' 'Hippolytus Veiled: A Study from Euripides' 'Emerald Uthwart' 'Apollo in Picardy' Notes and Endmatter Textual Variants Explanatory Notes Appendix: The Daniel Press Edition of 'The Child in the House' (1894) Bibliography Index

In 2019, Pater specialists and enthusiasts welcomed Imaginary Portraits...[Lene Østermark-Johansen] amasses numerous examples of the expression 'imaginary portrait' as used in English literature and culture since the end of the eighteenth century and through the Romantic and Victorian ages.