The Cambridge History of Welsh Literature

Geraint Evans grew up in a Welsh-speaking community in north Wales and studied at the University of London, Swansea University and the University of Cambridge. After teaching Celtic Studies at the University of Sydney, he returned to Wales where he is now Senior Lecturer in English at Swansea University and a member of the Centre for Research into the English Literature and Language of Wales (CREW). His research interests include modernism, Welsh writing in English, and the history of the book in Britain. Helen Fulton trained as a Celticist at the University of Oxford and did postdoctoral research in medieval Welsh poetry at the Centre for Advanced Welsh and Celtic Studies, University of Wales, Aberystwyth. She taught at the University of Sydney before returning to the UK where she held chairs of medieval literature at the universities of Swansea and York. She is now Professor of Medieval Literature at the University of Bristol. She has published in both Welsh and English and specializes in the politics of literary production in medieval Wales and England.

• Introduction Geraint Evans and Helen Fulton; Part I. Britain, Wales, England: 1. Britain, Wales, England, c. 600–1450 Euryn Rhys Roberts; 2. Britons and Saxons: the earliest writing in Welsh Helen Fulton; 3. Magic and marvels Mark Williams; 4. Commemorating the past after 1066: tales from the Mabinogion Diana Luft; 5. Court poetry and historiography before 1282 Catherine McKenna; 6. The aftermath of 1282: Dafydd ap Gwilym and his contemporaries Dafydd Johnston; 7. Literary networks and patrons in late medieval Wales Helen Fulton; Part II. After the Acts of Union: 8. The Acts of Union: culture and religion in Wales, c. 1540–1700 Katharine K. Olson; 9. Welsh humanism after 1536 Angharad Price; 10. Drama and performance in medieval and early modern Wales David N. Klausner; 11. Tudor London and the origins of Welsh writing in English Geraint Evans; 12. Bibles and bards in Tudor and early Stuart Wales Gruffydd Aled Williams; Part III. Revolution and Industry: 13. Revolution, culture, and industry, c. 1700–1850 Paul O'Leary; 14. Antiquarianism and Englightenment in the eighteenth century Mary-Ann Constantine; 15. Romantic Wales and the Eisteddfod Elizabeth Edwards; 16. Popular poetry, methodism, and the ascendancy of the hymn E. Wyn James; 17. Travel, translation, and temperance: the origins of the Welsh novel Katie Gramich; Part IV. The Transition to Modernity: 18. The modern age, c. 1850–1945 Chris Williams; 19. T. Gwynn Jones and the renaissance of Welsh poetry Robert Rhys; 20. Industrial fiction Stephen Knight; 21. From nonconformist nation to proletarian nation: writing Wales, 1885–1930 M. Wynn Thomas; 22. The short story in the twentieth century Michelle Deininger; 23. Welsh modernist writing in Wales and London Geraint Evans; 24. The poetry revolution: Dylan Thomas and his circle William Christie; Part V. The Path to Nationhood in the Late Twentieth Century: 25. Debating nationhood, c. 1945–2000 Seán Aeron Martin and Mari Elin Wiliam; 26. The legacy of Saunders Lewis Tudur Hallam; 27. R. S. Thomas, Emyr Humphreys, and the possibility of a bilingual culture Andrew Webb; 28. Inventing Welsh writing in English Diana Wallace; 29. Exile and diaspora: Welsh writing outside Wales Melinda Gray; 30. Literary periodicals and the publishing industry Lisa Sheppard; 31. 'Beyond the Fields We Know': Wales and fantasy literature Susan Aronstein; 32. Theatre, film, and television in Wales in the twentieth century Jamie Medhurst; Part VI. After Devolution: 33. The dragon finds a tongue: devolution and government in Wales since 1997 Kevin Williams; 34. 'Amlhau Lleisiau'n Llên': birth and rebirth in Welsh-language literature, 1990–2014 Llŷr Gwyn Lewis; 35. Writing the size of Wales Alice Entwistle; Afterword Geraint Evans and Helen Fulton.

'As crammed with as many riches as a dragon's cave. Objective, superbly researched, it is the best book ever published about my homeland.' Roger Lewis, Daily Telegraph