The Cambridge Guide to World Theatre History

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Inbunden, Engelska, 2026

1 299 kr

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Presenting a panoramic, world-ranging view of history, this Guide identifies theatre's most important moments of widespread change from 50,000 BCE to modernity, across Eurasia, Africa, the Americas, and Australasia. It explains why those moments came about and examines how they found expression in distinctive theatre practices. Its global perspective complements more localized perspectives and foregrounds the importance of sometimes trivialized and overlooked traditions. The Guide provides students, scholars, and all who are interested in theatre with a fresh, lively, and compelling understanding of world theatre history.

Produktinformation

Utgivningsdatum2026-03-05
Vikt500 g
FormatInbunden
SpråkEngelska
Antal sidor354
FörlagCambridge University Press
ISBN9781009703444

Tillhör följande kategorier

Teater inom Kultur
Scenkonstens historia inom Kultur
Litteraturvetenskap inom Skonlitteratur
Socialhistoria och kulturhistoria inom Historia och arkeologi

Introduction; Part I. The Deep History of Theatre (starting c. 50,000 BCE):; 1. The Wellspring of Theatre; 2. The Social Uses of Theatre; Part II. The Eurasian Breakthroughs (starting c. 500 BCE):; 3. Inventing Literary Theatre; 4. Silences and Successes; Part III. The Eurasian Convergence (starting c. 900 CE):; 5. The Engine of Convergence; 6. Along the Sea Route; 7. On the Margins of Eurasia; Part IV. The Eurasian Resurgence (starting c. 1500 CE):; 8. Okuni's Crucifix; 9. Islamic Empires; 10. Across the South China Sea; 11. Erasmus's Prophecy; Part V. The Global Transformation (starting c. 1800 CE):; 12. The Dynamo of Transformation; 13. The Neo-Europes; 14. Colonial Experiences; 15. Pacific Lands; Conclusion.

'Steve Tillis provides a crucial antidote to the Standard Western Approach teaching of theatre history in this book. Unraveling the global scope of the historiographical processes underlying theatre's evolution is a significant achievement. Tillis does so with care and candor about his specific historical location and blind spots. This should be an essential text for graduate students, the future educators in our field.' Arnab Banerji, Associate Professor of Theatre History, Dramatic Literature, and Dramaturgy, Loyola Marymount University, Tovaangar