The Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea

Jennifer Keith is an Associate Professor of English at the University of North Carolina, Greensboro, where she has taught since 1997. She is the author of Poetry and the Feminine from Behn to Cowper (2005) and numerous essays on poetry from the Restoration to the Romantic era. With the staff of the University Libraries at the University of North Carolina at Greensboro she developed The Anne Finch Digital Archive, an open-access site that supplements this edition. Keith and Claudia Thomas Kairoff were awarded a long-term fellowship by the National Endowment for the Humanities and the Folger Shakespeare Library for work on this edition. Keith also received a three-year grant from the National Endowment for the Humanities Scholarly Editions and Translations Grant for this critical edition and the digital archive. She is a member of the American Society for Eighteenth-Century Studies. Claudia Thomas Kairoff is a Professor of English at Wake Forest University, where she has taught since 1986. She is the author of Alexander Pope and His Eighteenth-Century Women Readers (1994) and Anna Seward and the End of the Eighteenth Century (2012), and co-editor, with Catherine Ingrassia, of 'More Solid Learning': New Critical Perspectives on Alexander Pope's Dunciad (2000). She has written numerous articles and book chapters on Pope and on women poets. Kairoff and Jennifer Keith were awarded a long-term fellowship by the National Endowment for the Humanities and the Folger Shakespeare Library for work on this edition. She is a member of the American Society for Eighteenth-Century Studies and of the Southeastern American Society for Eighteenth-Century Studies.

• List of illustrations; Preface and acknowledgments; Chronology; Abbreviations; Note; General introduction Claudia Thomas Kairoff and Jennifer Keith; Textual introduction Jennifer Keith; Account of the texts Jennifer Keith and R. Carter Hailey; From Miscellany Poems, on Several Occasions; The Wellesley Manuscript; Additional poems; Explanatory and textual notes; Correspondence; A reception and transmission history of Finch's work: illustrative cases from the eighteenth, nineteenth, and early twentieth centuries Rachel Bowman; List of source copies; Select bibliography; Index of titles; Index of first lines.

'One of the many virtues of the splendid new edition - the fullest ever presentation of Finch's oeuvre - is that it displays more clearly than ever before the extraordinary diversity, versatility, and virtuosity of her talents. The edition is beautifully printed, stoutly bound, and the pages are properly sewn in sections. The edition will be an essential purchase for all serious libraries …' David Hopkins, The Review of English Studies