The Cambridge Companion to the Beats

Inbunden, Engelska, 2017

Av Steven Belletto, Pennsylvania) Belletto, Steven (Lafayette College

1 549 kr

Beställningsvara. Skickas inom 7-10 vardagar

Fri frakt för medlemmar vid köp för minst 249 kr.

The Cambridge Companion to the Beats offers an in-depth overview of one of the most innovative and popular literary periods in America, the Beat era. The Beats were a literary and cultural phenomenon originating in New York City in the 1940s that reached worldwide significance. Although its most well-known figures are Jack Kerouac, Allen Ginsberg, and William S. Burroughs, the Beat movement radiates out to encompass a rich diversity of figures and texts that merit further study. Consummate innovators, the Beats had a profound effect not only on the direction of American literature, but also on models of socio-political critique that would become more widespread in the 1960s and beyond. Bringing together the most influential Beat scholars writing today, this Companion provides a comprehensive exploration of the Beat movement, asking critical questions about its associated figures and arguing for their importance to postwar American letters.

Produktinformation

Utgivningsdatum2017-02-13
Mått159 x 236 x 23 mm
Vikt580 g
FormatInbunden
SpråkEngelska
SerieCambridge Companions to Literature
Antal sidor332
FörlagCambridge University Press
ISBN9781107184459

Tillhör följande kategorier

Litteraturvetenskap inom Skonlitteratur
Litteraturvetenskap inom Skonlitteratur

Steven Belletto is Associate Professor of English at Lafayette College, Pennsylvania. He is author of No Accident, Comrade: Chance and Design in Cold War American Narratives (2012), co-editor of American Literature and Culture in an Age of Cold War: A Critical Reassessment (2012) and editor of the volume American Literature in Transition, 1950-1960 (Cambridge, forthcoming). He is also the author of numerous articles on post-1945 American literature and culture that have appeared in journals such as American Literature, American Quarterly, ELH, and Twentieth-Century Literature. From 2011 to 2016 he was Associate Editor for the journal Contemporary Literature, for which he is currently co-editor.

Chronology; Introduction: the Beat half-century Steven Belletto; 1. Were Jack Kerouac, Allen Ginsberg, and William S. Burroughs a generation? William Lawlor; 2. Beatniks, hippies, yippies, feminists, and the ongoing American counterculture Jonah Raskin; 3. Locating a Beat aesthetic Regina Weinreich; 4. The Beats and literary history: myths and realities Nancy M. Grace; 5. Allen Ginsberg and Beat poetry Erik Mortenson; 6. Five ways of being Beat, circa 1958–9 Steven Belletto; 7. Jack Kerouac and the Beat novel Kurt Hemmer; 8. William S. Burroughs: Beating postmodernism Oliver Harris; 9. Memory babes: Joyce Johnson and Beat memoir Brenda Knight; 10. Beat writers and criticism Hilary Holladay; 11. Beats and gender Ronna C. Johnson; 12. Beats and sexuality Polina Mackay; 13. The Beats and race A. Robert Lee; 14. Ethnographies and networks: on Beat transnationalism Todd. F. Tietchen; 15. Buddhism and the Beats John Whalen-Bridge; 16. Beat as beatific: Gregory Corso's Christian poetics Kirby Olson; 17. Jazz and the Beat Generation Michael Hrebeniak; 18. Beats and visual culture David Sterritt; Further reading.

'This Companion locates an understanding of the Beats beyond the familiar, identifying a wide range of writers and approaches to writing which are associated with the term Beat. This factor alone makes the volume worthwhile for any reader looking to read beyond the 'canonical' Beat authors … As one would expect from a series as authoritative as the Cambridge Companions, every chapter is informed by up-to-date scholarship, written in an approachable style and is fully referenced.' Linda Kemp, Languages and Literature