Louise D'Arcens is Associate Professor in the English Literatures Program at the University of Wollongong, Australia, where she teaches medieval and medievalist literature. Her PhD and BA (Hons) are from the University of Sydney. She holds a Future Fellowship from the Australian Research Council (ARC) for the project 'Comic Medievalism and the Modern World', has been a recipient of grants from the Australian Academy of Humanities and the ARC, and is an Associate Investigator in the ARC Centre of Excellence for the History of Emotions, 100-1800. Her publications include the books Comic Medievalism: Laughing at the Middle Ages (2014) and Old Songs in the Timeless Land: Medievalism in Australian Literature, 1840-1910 (2011), as well as the edited volumes The International Medievalism and Popular Culture (Andrew Lynch, 2014), The Unsociable Sociability of Women's Lifewriting (Anne Collett, 2010), and Maistresse of My Wit: Medieval Women, Modern Scholars (Juanita Ruys, 2004). She has also published numerous book chapters on medievalism as well as articles in journals such as Representations, the Journal of Medieval and Early Modern Studies, Screening the Past, Parergon, and Postmedieval.

• Introduction: medievalism: scope and complexity Louise D'Arcens; 1. Medievalism in British poetry Chris Jones; 2. Medievalism and architecture John M. Ganim; 3. Medievalism and cinema Bettina Bildhauer; 4. Musical medievalism and the harmony of the spheres Helen Dell; 5. Participatory medievalism, digital gaming, and role playing Daniel T. Kline; 6. Early modern medievalism Mike Rodman Jones; 7. Romantic medievalism Clare A. Simmons; 8. Academic medievalism and nationalism Richard Utz; 9. Medievalism and the ideology of war Andrew Lynch; 10. Medievalism in Spanish America after independence Nadia Altschul; 11. Neomedievalism and international relations Bruce Holsinger; 12. Global medievalism and translation Candace Barrington; 13. Medievalism and theories of temporality Stephanie Trigg; 14. Queer medievalisms: a case study of Monty Python and the Holy Grail Tison Pugh.

'[This book] offers 14 substantial essays that succeed both in introducing topics of medievalism to new scholars and in providing new insights that will benefit those already familiar with the re-presentation and re-imagination of the medieval period … Summing Up: Essential. Lower-division undergraduates through faculty.' A. L. Kaufman, Choice

Louise D'Arcens is Associate Professor in the English Literatures Program at the University of Wollongong, Australia, where she teaches medieval and medievalist literature. Her PhD and BA (Hons) are from the University of Sydney. She holds a Future Fellowship from the Australian Research Council (ARC) for the project 'Comic Medievalism and the Modern World', has been a recipient of grants from the Australian Academy of Humanities and the ARC, and is an Associate Investigator in the ARC Centre of Excellence for the History of Emotions, 100-1800. Her publications include the books Comic Medievalism: Laughing at the Middle Ages (2014) and Old Songs in the Timeless Land: Medievalism in Australian Literature, 1840-1910 (2011), as well as the edited volumes The International Medievalism and Popular Culture (Andrew Lynch, 2014), The Unsociable Sociability of Women's Lifewriting (Anne Collett, 2010), and Maistresse of My Wit: Medieval Women, Modern Scholars (Juanita Ruys, 2004). She has also published numerous book chapters on medievalism as well as articles in journals such as Representations, the Journal of Medieval and Early Modern Studies, Screening the Past, Parergon, and Postmedieval.

• Introduction: medievalism: scope and complexity Louise D'Arcens; 1. Medievalism in British poetry Chris Jones; 2. Medievalism and architecture John M. Ganim; 3. Medievalism and cinema Bettina Bildhauer; 4. Musical medievalism and the harmony of the spheres Helen Dell; 5. Participatory medievalism, digital gaming, and role playing Daniel T. Kline; 6. Early modern medievalism Mike Rodman Jones; 7. Romantic medievalism Clare A. Simmons; 8. Academic medievalism and nationalism Richard Utz; 9. Medievalism and the ideology of war Andrew Lynch; 10. Medievalism in Spanish America after independence Nadia Altschul; 11. Neomedievalism and international relations Bruce Holsinger; 12. Global medievalism and translation Candace Barrington; 13. Medievalism and theories of temporality Stephanie Trigg; 14. Queer medievalisms: a case study of Monty Python and the Holy Grail Tison Pugh.

'[This book] offers 14 substantial essays that succeed both in introducing topics of medievalism to new scholars and in providing new insights that will benefit those already familiar with the re-presentation and re-imagination of the medieval period … Summing Up: Essential. Lower-division undergraduates through faculty.' A. L. Kaufman, Choice

Louise D'Arcens is Associate Professor in the English Literatures Program at the University of Wollongong, Australia, where she teaches medieval and medievalist literature. Her PhD and BA (Hons) are from the University of Sydney. She holds a Future Fellowship from the Australian Research Council (ARC) for the project 'Comic Medievalism and the Modern World', has been a recipient of grants from the Australian Academy of Humanities and the ARC, and is an Associate Investigator in the ARC Centre of Excellence for the History of Emotions, 100-1800. Her publications include the books Comic Medievalism: Laughing at the Middle Ages (2014) and Old Songs in the Timeless Land: Medievalism in Australian Literature, 1840-1910 (2011), as well as the edited volumes The International Medievalism and Popular Culture (Andrew Lynch, 2014), The Unsociable Sociability of Women's Lifewriting (Anne Collett, 2010), and Maistresse of My Wit: Medieval Women, Modern Scholars (Juanita Ruys, 2004). She has also published numerous book chapters on medievalism as well as articles in journals such as Representations, the Journal of Medieval and Early Modern Studies, Screening the Past, Parergon, and Postmedieval.

• Introduction: medievalism: scope and complexity Louise D'Arcens; 1. Medievalism in British poetry Chris Jones; 2. Medievalism and architecture John M. Ganim; 3. Medievalism and cinema Bettina Bildhauer; 4. Musical medievalism and the harmony of the spheres Helen Dell; 5. Participatory medievalism, digital gaming, and role playing Daniel T. Kline; 6. Early modern medievalism Mike Rodman Jones; 7. Romantic medievalism Clare A. Simmons; 8. Academic medievalism and nationalism Richard Utz; 9. Medievalism and the ideology of war Andrew Lynch; 10. Medievalism in Spanish America after independence Nadia Altschul; 11. Neomedievalism and international relations Bruce Holsinger; 12. Global medievalism and translation Candace Barrington; 13. Medievalism and theories of temporality Stephanie Trigg; 14. Queer medievalisms: a case study of Monty Python and the Holy Grail Tison Pugh.

'[This book] offers 14 substantial essays that succeed both in introducing topics of medievalism to new scholars and in providing new insights that will benefit those already familiar with the re-presentation and re-imagination of the medieval period … Summing Up: Essential. Lower-division undergraduates through faculty.' A. L. Kaufman, Choice