• Chronology; Introduction; Part I. Culture and Environment: 1. Defining home: Berg's life on the periphery Christopher Hailey; 2. Battles of the mind: Berg and the cultural politics of 'Vienna 1900' Andrew Barker; 3. Berg and Adorno Raymond Geuss; Part II. From Song to Opera: 4. Early works: tonality and beyond Anthony Pople; 5. Berg's aphoristic pieces Kathryn Bailey; 6. Berg, Mahler and the Three Orchestral Pieces, Op.6 Derrick Puffett; 7. The musical language of Wozzeck Anthony Pople; Part III. After Wozzeck: 8. Secret programmes Douglas Jarman; 9. Compositional process in Wozzeck and Lulu: a glimpse of Berg's atonal method Patricia Hall; 10. Compositional technique 1923–6: the Chamber Concerto and the Lyric Suite Neil Boynton; 11. In the orbit of Lulu: the late works Anthony Pople; 12. Lulu's feminine performance Judy Lochhead; Part IV. Postscript: Berg and the twentieth century Arnold Whittall.

'… offers an ideal introduction for the general musical reader to the music itself.' The Times Literary Supplement

• Chronology; Introduction; Part I. Culture and Environment: 1. Defining home: Berg's life on the periphery Christopher Hailey; 2. Battles of the mind: Berg and the cultural politics of 'Vienna 1900' Andrew Barker; 3. Berg and Adorno Raymond Geuss; Part II. From Song to Opera: 4. Early works: tonality and beyond Anthony Pople; 5. Berg's aphoristic pieces Kathryn Bailey; 6. Berg, Mahler and the Three Orchestral Pieces, Op.6 Derrick Puffett; 7. The musical language of Wozzeck Anthony Pople; Part III. After Wozzeck: 8. Secret programmes Douglas Jarman; 9. Compositional process in Wozzeck and Lulu: a glimpse of Berg's atonal method Patricia Hall; 10. Compositional technique 1923–6: the Chamber Concerto and the Lyric Suite Neil Boynton; 11. In the orbit of Lulu: the late works Anthony Pople; 12. Lulu's feminine performance Judy Lochhead; Part IV. Postscript: Berg and the twentieth century Arnold Whittall.

'… offers an ideal introduction for the general musical reader to the music itself.' The Times Literary Supplement

• Chronology; Introduction; Part I. Culture and Environment: 1. Defining home: Berg's life on the periphery Christopher Hailey; 2. Battles of the mind: Berg and the cultural politics of 'Vienna 1900' Andrew Barker; 3. Berg and Adorno Raymond Geuss; Part II. From Song to Opera: 4. Early works: tonality and beyond Anthony Pople; 5. Berg's aphoristic pieces Kathryn Bailey; 6. Berg, Mahler and the Three Orchestral Pieces, Op.6 Derrick Puffett; 7. The musical language of Wozzeck Anthony Pople; Part III. After Wozzeck: 8. Secret programmes Douglas Jarman; 9. Compositional process in Wozzeck and Lulu: a glimpse of Berg's atonal method Patricia Hall; 10. Compositional technique 1923–6: the Chamber Concerto and the Lyric Suite Neil Boynton; 11. In the orbit of Lulu: the late works Anthony Pople; 12. Lulu's feminine performance Judy Lochhead; Part IV. Postscript: Berg and the twentieth century Arnold Whittall.

'… offers an ideal introduction for the general musical reader to the music itself.' The Times Literary Supplement