Dominic McHugh is Professor of Musicology at the University of Sheffield. He has published widely on the Broadway and Hollywood musicals, including six previous books, and has collaborated with many of the world's leading arts organisations, ranging from the Sydney Opera House to the Library of Congress.

• Foreword by Series Editor Geoffrey BlockChapter 1: Seeking the Roots of The Music Man: Meredith Willson's Cultural EclecticismChapter 2: From The Silver Triangle to The Music Man: Creating the Book for an Original Musical Chapter 3: Composing the Score for a Musical about MusicChapter 4: Marching Still Right Today: The Music Man from Philadelphia to Broadway and BeyondChapter 5: After The Music Man: The Unsinkable Molly Brown in the Shadow of a HitChapter 6: Singing through Evil Times: Here's Love, Miracle on 34rd Street, and the Challenge of the Musical Adaptation Chapter 7: 1491: The Final VoyageIndex

Scholars, fans, and performers alike will find much to celebrate and awe over in this book, which alone is a magnificent accomplishment.

Dominic McHugh is Professor of Musicology at the University of Sheffield. He has published widely on the Broadway and Hollywood musicals, including six previous books, and has collaborated with many of the world's leading arts organisations, ranging from the Sydney Opera House to the Library of Congress.

• Foreword by Series Editor Geoffrey BlockChapter 1: Seeking the Roots of The Music Man: Meredith Willson's Cultural EclecticismChapter 2: From The Silver Triangle to The Music Man: Creating the Book for an Original Musical Chapter 3: Composing the Score for a Musical about MusicChapter 4: Marching Still Right Today: The Music Man from Philadelphia to Broadway and BeyondChapter 5: After The Music Man: The Unsinkable Molly Brown in the Shadow of a HitChapter 6: Singing through Evil Times: Here's Love, Miracle on 34rd Street, and the Challenge of the Musical Adaptation Chapter 7: 1491: The Final VoyageIndex

Scholars, fans, and performers alike will find much to celebrate and awe over in this book, which alone is a magnificent accomplishment.

Dominic McHugh is Professor of Musicology at the University of Sheffield. He has published widely on the Broadway and Hollywood musicals, including six previous books, and has collaborated with many of the world's leading arts organisations, ranging from the Sydney Opera House to the Library of Congress.

• Foreword by Series Editor Geoffrey BlockChapter 1: Seeking the Roots of The Music Man: Meredith Willson's Cultural EclecticismChapter 2: From The Silver Triangle to The Music Man: Creating the Book for an Original Musical Chapter 3: Composing the Score for a Musical about MusicChapter 4: Marching Still Right Today: The Music Man from Philadelphia to Broadway and BeyondChapter 5: After The Music Man: The Unsinkable Molly Brown in the Shadow of a HitChapter 6: Singing through Evil Times: Here's Love, Miracle on 34rd Street, and the Challenge of the Musical Adaptation Chapter 7: 1491: The Final VoyageIndex

Scholars, fans, and performers alike will find much to celebrate and awe over in this book, which alone is a magnificent accomplishment.