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Mark Griffith - The Battle of Maldon, Häftad

Häftad, Engelska, 2026

Del i serien Exeter Medieval Texts and Studies

The Battle of Maldon

A New Critical Edition

Av Mark Griffith

699 kr

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Beskrivning
The battle of Maldon in 991 AD was a defeat. The Old English poem about it that survives, The Battle of Maldon, celebrates the extreme valour of Byrhtnoth, the leader of the defeated Anglo-Saxons, and commemorates the heroic deaths of his followers who stand by him and who stay to the end against a horde of piratical Vikings. Though lacking both beginning and end, enough survives of the main narrative of the battle to show the poet’s skill and power in conveying his message that loyalty to one’s word and to one’s lord matters more than life. Maldon is the only substantial late Old English heroic poem to survive and provides unique testimony to the poetics of its period: close re-analysis of it shows it to be a striking mix of old and new, combining features found in much earlier verse with others only otherwise attested in Middle English alliterative poetry. This new critical edition responds to the enormous range of critical views that the poem has excited: the introduction is, accordingly, substantial, and includes sections on language, prosody, style, and narrative, as well as a new and full consideration of the reliability of the sole surviving transcript. There is a detailed literary commentary and a full glossary.
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Mark Griffith is Fellow and Tutor in English Language and Literature, New College, Oxford. His previous publications include Judith (Exeter Medieval Texts and Studies, 2001).

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‘In short, his edition is easily the most thorough to date in terms of its coverage and analysis of the internal features of the poem. Inevitably, now that the identity of the transcriber has been identified, Griffith covers the lost manuscript and its eighteenth-century transcript with greater detail and accuracy. And compared to Scragg and his predecessors, Griffith offers a precise and much lengthier exploration of the language and dialect of the poem, as well as its patterns of alliteration and metre in which, it should be said, Griffith is an acknowledged expert.’ Mark Atherton, Journal of Inklings Studies

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