Julie Reid is based at the Department of Communication Science, University of South Africa and specialises in media studies. She is the editor and co-author of the book Looking at media: an introduction to visual studies.Dale T. McKinley is an independent writer, researcher and lecturer and Research and Education Officer for the International Labour, Research and Information Group.

• AcknowledgementsList of IllustrationsIntroductionChapter 1 The Trajectory and Dynamics of Afrikaner Nationalism in the Twentieth Century: An Overview - Albert GrundlinghPart 1: Assent and Dissent through Fine Art and ArchitectureChapter 2 Afrikaner Nationalism and Other Settler Imaginaries at the 1936 Empire Exhibition - Lize van RobbroeckChapter 3 From Volksargitektuur to Boere Brazil: Afrikaner Nationalism and the architectural imaginary of modernity, 1936-1966 - Federico FreschiChapter 4 Afrikaner Identity in Contemporary Visual Art: A Study in Hauntology - Theo SonnekusPart 2: Sculptures on University CampusesChapter 5 ‘It Is Not Even Past': Dealing with Monuments and Memorials on Divided Campuses - Jonathan D. JansenChapter 6 Knocking Jannie off his Pedestal: Two Creative Interventions to the Sculpture of J H Marais at Stellenbosch University - Brenda Schmahmann Part 3: Photography, Identity and NationhoodChapter 7 Celebrating the Volk: The 1949 Inauguration of the VoortrekkerMonument in State Information Office Photographs - Katharina JörderChapter 8 Reframing David Goldblatt, Re-thinking Some Afrikaners - Michael Godby and Liese van der WattPart 4: Deploying Mass Media and Popular Visual CultureChapter 9 The becoming girl: Anton van Wouw's Noitjie van die Onderveld, Afrikaner Nationalism and the Construction of the Volksmoeder Discourse - Lou-Marié KrugerChapter 10 Cartoons, Intellectuals, and the Construction of Afrikaner Nationalism - Peter ValeChapter 11 Manifestations of Militarisation: Visual Narratives of the Border War in 1980s South African Print Culture - Gary BainesContributor biographiesIndex

Tell Our Story is a valuable addition to the South African discourse on media freedom: the authors examine the issue through the lens of grassroots communities in struggle, within a theoretical framework of listening. Media freedom is most often seen from the point of view of journalists. Here, the emphasis is on the right to be heard, represented, understood, and to be included.; — Professor Glenda Daniels, Journalism and Media Studies, University of the WitwatersrandWhat sets the book apart from other similar studies in this area is firstly its painstaking empirical work in South African communities (which says a great deal about the authors’ ability to gain the trust of these communities and their own ability to listen to the voices of the people); and secondly its attempt to derive from this interaction practical and concrete suggestions for improvement of journalism that moves beyond a mere critique. — Professor Herman Wasserman, Centre for Film and Media Studies, University of Cape Town; This book offers a fresh and useful approach that will add significantly to the growing body ofliterature that critiques the mainstream media. — Professor Franz Kruger, Journalism and Media Studies, University of the Witwatersrand