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Milly Buonanno - Television Antiheroines, Häftad

Häftad, Engelska, 2017

Television Antiheroines

Women Behaving Badly in Crime and Prison Drama

Av Milly Buonanno

779 kr

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Beskrivning
With a foreword by Diane Negra and Jorie Lagerway As television has finally started to create more leading roles for women, the female antiheroine has emerged as a compelling and dynamic character type. Television Antiheroines looks closely at this recent development, exploring the emergence of women characters in roles typically reserved for men, particularly in the male-dominated genre of the crime and prison drama. The essays collected in Television Antiheroines are divided into four sections or types of characters: mafia women, drug dealers and aberrant mothers, women in prison, and villainesses. Looking specifically at shows such as Gomorrah, Mafiosa, The Wire, The Sopranos, Sons of Anarchy, Orange is the New Black, and Antimafia Squad, the contributors explore the role of race and sexuality and focus on how many of the characters transgress traditional ideas about femininity and female identity, such as motherhood. They examine the ways in which bad women are portrayed and how these characters undermine gender expectations and reveal the current challenges by women to social and economic norms. Television Antiheroines will be essential reading for anyone with a serious interest in crime and prison drama and the rising prominence of women in nontraditional roles.
Produktinformation
  • Utgivningsdatum: 2017-03-15
  • Mått: 178 x 229 x 16 mm
  • Vikt: 499 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 285
  • Förlag: Intellect
  • ISBN: 9781783207602
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Mer information

Milly Buonanno is professor benemerita at La Sapienza University of Roma and director of the Observatory of Italian TV Drama.

Recensioner i media

'This vital collection profitably meditates on the intersections of crime studies, feminist and postfeminist studies and television studies, and shines a light on the expanding representational possibilities for women that are taking place in global television production. [...] I suspect that Television Antiheroines will enjoy widespread adoption as a text in a number of university courses for differing constituencies of students. The essays all feature clear and accessible prose and, further, the breadth and array of the texts, and detailed bibliography for each essay, will make the collection interesting for media studies scholars (feminist or otherwise) working on a spectrum of contexts.'

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