Guillermo García-Badell is the Dean of Centro Superior de Diseño de Moda de Madrid, Universidad Politécnica de Madrid (CSDMM-UPM). He holds a degree in Architecture from UPM and a PhD in Marketing Research from Universidad Complutense de Madrid (UCM). María Luisa Calvo Frutos is Head of Research and Lecturer at CSDMM-UPM. She holds an MA in Pattern & Garment Technology from London College of Fashion, University of the Arts London, and a BSc in Telecommunications Systems Engineering from Universidad Carlos III de Madrid. Diego Prieto López is a Historian with a BA from Universidad de León, an MA in Mediterranean Archaeology from UCM, and a PhD from Universidad Politécnica de Madrid. He is Head of Quality Assurance and Academic Coordinator at CSDMM-UPM. Victoria Vásquez Pecile holds a BA in Art History (Universidad de Valladolid) and a Higher Technical Diploma in Pattern Making.

• The editors: Tech and Crafts - Part 1 TECH and Crafts vs CRAFTS and Tech: Toward a Necessary Deal for Future Fashion - Guillermo García-Badell: Chapter 1. Tech and Crafts - Part 2. Tech and Crafts: Current State and Future of Fashion - New technologies in the production and conceptualization of fashion design - Mercedes Rodriguez Sanchez: Chapter 2. From Savoir-Faire to Savoir-Tech - Rosa Deltoro Cremades: Chapter 3. Exploring the Relationship Between Technology and the Development of Textile Printing - Elisabeth Lorenzi: Chapter 4. Solar Cells You Can Eat: The Future of Bioelectronics - María Luisa Calvo Frutos: Chapter 5. Toward a New Paradigm - The future in the past: technology as an opportunity for fashion heritage conservation - Dr. Daphne Mohajer va Pesaran: Chapter 6. Reverse-Engineering Fashion Objects - Lorraine Portelli: Chapter 7. Uncovering Hidden Heritage - Venetia Koutsou, Eleftheria Stoikou, and Maria Zoumaki: Chapter 8. The Story Behind - Sylvia Bossenz, Carsten Behm, and Timo Schnitt: Chapter 9. Moritz From Buxtehude - Victoria Vásquez Pecile: Chapter 10. Digitization of Clothing as a Conservation Methodology for Heritage Preservation - Angelica Vandi: Chapter 11. Dematerializing and Rematerializing Archival Fashion - Part 3. Crafts and Tech: A Historical Overview of Fashion Techniques and Production - The past as a reference: a historical overview - Herbert González Zymla: Chapter 12. The Technical Basis of Textile Creation and the Construction Process of the Second Skin - Diego Prieto López: Chapter 13. Classical Authors as a Source for the Study of Textile Production and Trade in Roman Times in the Municipium Augusta Bilbilis (Calatayud, Spain) - Mónica Bueno Ortega: Chapter 14. The Hand of the Artisan - Gianni Montagna: Chapter 15. Knitting Beyond the Needles - José Antonio Fernández Fernández: Chapter 16. The Birth of Lunéville’s Bead Embroidery and Its Introduction Into Spanish Haute Couture - Elena Díaz Martín: Chapter 17. The Value of What Was Lost - Caterina Cucinotta: Chapter 18. Costume Studies and Fashion Studies as Diverging Fields for the Same Object of Study - Maialen Salcedo Berrueta: Chapter 19. Reflections on the History of Spanish Fashion - From craft traditions to the final product in contemporary fashion - Gisela Beatriz Fortuna Mantellini: Chapter 20. Methodological Approaches for Fashion Design Practice - María Arcas Ruiz: Chapter 21. Documenting Fashion - Adriana Cagigas Gil: Chapter 22. Samplers - Lala de Dios: Chapter 23. Handweaving Fashion - Paula Alegría Serrano Padilla: Chapter 24. A Story of Tradition - Sandra Barreiro Parguiña: Chapter 25. Artists in the Design of Traditional Scarves for Louis Vuitton - Ana Tinajero Cabrera: Chapter 26. Architecture as a Space for Innovation and Fashion Retail - Author Biographies - Alphabetical Index