Teaching Transatlanticism

Resources for Teaching Nineteenth-Century Anglo-American Print Culture

Häftad, Engelska, 2015

Av Linda K Hughes, Sarah Ruffing Robbins, Texas Christian University) Hughes, Linda K (Professor of Literature, Texas Christian University) Robbins, Sarah Ruffing (Lorraine Sherley Chair in Literature, Linda K. Hughes

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An essential resource for teaching 19th-century print culture in Transatlantic StudiesThe 18 chapters in this book outline conceptual approaches to the field and provide practical resources for teaching, ranging from ideas for individual class sessions to full syllabi and curricular frameworks.The book is divided into 5 key sections: Curricular Histories and Key Trends; Organising Curriculum through Transatlantic Lenses; Teaching Transatlantic Figures; Teaching Genres in Transatlantic Context; and Envisioning Digital Transatlanticism. Individual chapters from experts in the field range from reconceptualising entire courses to revisiting individual texts, authors, and genres in a transatlantic context. Weaving in strategies from innovative teaching shaped by the digital humanities, the collection also looks ahead to the future of this growing field.A dedicated Teaching Transatlanticism website accompanies the book.Key Features:Essays address both conceptual and practical issuesClassroom accounts address multiple genres, issues, and mediaReflections on real-world teaching contexts are blended with scholarly analysis of key issues in the field todayThe specially designed project website supports the book and invites continued conversations through a moderated discussion space and submission venue for readers’ own teaching materialsLinda K. Hughes is Addie Levy Professor of Literature at TCU. She is co-editor of the 4-volume A Feminist Reader: Feminist Thought from Sappho to Satrapi and author of The Cambridge Introduction to Victorian Poetry (2010).Sarah Robbins is author/editor of seven books and is Lorraine Sherley Professor of Literature at TCU, where she teaches American literature and transatlantic and cross-cultural studies.

Produktinformation

Utgivningsdatum2015-02-05
Mått156 x 234 x 17 mm
Vikt442 g
FormatHäftad
SpråkEngelska
Antal sidor312
FörlagEdinburgh University Press
ISBN9780748694464

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Linda K. Hughes, Addie Levy Professor of Literature at TCU, specialises in historical media studies (poetry, periodicals, serial fiction); gender and women’s studies; and transnationality including transatlanticism. With Sarah R. Robbins she is co-editor of Teaching Transatlanticism (Edinburgh University Press, 2015) and with Julie Codell co-editor of Replication in the Long Nineteenth Century: Re-makings and Reproductions (Edinburgh University Press, 2018). Her monographs include The Victorian Serial (with Michael Lund, 1991), The Cambridge Introduction to Victorian Poetry (2010) and Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity (2022). Sarah Ruffing Robbins is Lorraine Sherley Professor of Literature at TCU. Her nine academic books include Learning Legacies: Archive to Action through Women’s Cross-Cultural Teaching (2017), the award-winning Nellie Arnott’s Writings on Angola, 1905-1913 (2011) and Teaching Transatlanticism (Edinburgh University Press, 2015).

Acknowledgments; Introduction (Linda K. Hughes and Sarah R. Robbins); I. Curricular Histories and Key Trends; On Not Knowing Any Better(Susan M. Griffin); Transatlantic Networks in the Nineteenth Century (Susan David Bernstein); Rewriting the Atlantic: Symbiosis, 1997-2013(Christopher Gair); II. Organising Curriculum through Transatlantic Lenses; Anthologising and Teaching Transatlantic Literature (Chris Koenig-Woodyard); “Flat Burglary”? A Course on Race, Appropriation, and Transatlantic Print Culture (Daniel Hack); Dramatising the Black Atlantic: Live Action Projects in Classrooms (Alan Rice); III. Teaching Transatlantic Figures; The Canadian Transatlantic: Susanna Moodie and Pauline Johnson (Kate Flint); Frederick Douglass, Maria Weston Chapman, and Harriet Martineau: Atlantic Abolitionist Networks and Transatlanticism’s Binaries (Marjorie Stone); ‘How did you get here? and where are you going?’: Transatlantic Literary History, Exile and Textual Traces in Herman Melville’s Israel Potter (Andrew Taylor); Americans, Abroad: Reading Portrait of A Lady in a Transatlantic Context (Sandra Zagarell); IV. Teaching Genres in Transatlantic Context; Making Anglo-American Oratory Resonate (Tom F. Wright); Genre and Nationality in Nineteenth-Century British and American Poetry (Meredith McGill, Scott Challener, Isaac Cowell, Bakary Diaby, Lauren Kimball, Michael Monescalchi, and Melissa Parrish); Teaching Transatlantic Sensations (John Cyril Barton, Kirstin Huston, Jennifer Phegley, and Jarrod Roark); Prophecy, Poetry and Democracy: Teaching through the International Lens of the Fortnightly Review (Linda Freedman); V. Envisioning Digital Transatlanticism; Transatlantic Mediations: Teaching Victorian Poetry in the New Print Media.(Alison Chapman); Digital Transatlanticism: An Experience of and Reflections on Undergraduate Research in the Humanities (Erik Simpson); Twenty-first-Century Digital Publics and Nineteenth-Century Transatlantic Public Spheres (Tyler Branson); VI. Afterword; Looking Forward (Larisa S. Asaeli, Rachel Johnston, Molly Leverenz, and Marie Martinez); Index