Teaching Games and Game Studies in the Literature Classroom

Tison Pugh is Pegasus Professor of English at the University of Central Florida, USA. Lynn Ramey is Professor of French and Director of the Center for Digital Humanities at Vanderbilt University, USA.

• List of FiguresIntroduction: Ludology and Narratology in the Literature Classroom, Tison Pugh (University of Central Florida, USA) and Lynn Ramey (Vanderbilt University, USA)Part I: Theories of the Ludic and Literary Classroom1. Developing and Teaching Games-Focused English Courses: A Technological and Curricular Walkthrough, Eric Detweiler (Middle Tennessee State University, USA)2. Gaming Literature: Games as an Accessible Entry into the Study of Literature, Regina Mills (Texas A&M University, USA)3. Levelling Up: Transferring the Analytical Gaze from Print Literature to Digital Literature and Digital Games in the Literature Classroom, Nolan Bazinet (University of Sherbrooke, Canada)4. Reverse-Engineering Stories in the Literature Classroom: Linking Video Games and Traditional Narratives to Foster Critical Reading Skills, John Misak (New York Institute of Technology, USA)5. Pwning Tolkien’s Trilogy: Game Studies in a Massively Open Online Course (MOOC), Jay Clayton (Vanderbilt University, USA) and Don Rodrigues (University of Memphis, USA)6. How/Why We Read/Play: Conceptualizing Reader Goals in the Game of Literature, Mitchell Gunn (University of Toronto, Canada)Part II: Videogames and Interactive Media in the Literature Classroom7. Ready Player Action: Teaching Close Reading and Critical Play in a Ludic Century, Craig Carey (University of Southern Mississippi, USA)8. Teaching Japanese Video Games: Practical Strategies for Analysis and Assessment, Ben Whaley (University of Calgary, Canada)9. Intervening in Game Cultures: Video Game Streams and/as Literature, Cody Mejeur (University at Buffalo, USA)10. Ethical Simulation Games in the Liberal Arts Classroom: Civilization V, SimEarth, and Sweatshop, Harry Brown and Nicole Lobdell (De Pauw University, USA)11. Thinking Outside the Book: Procedural Bibliography as Textual Pedagogy for Literary Video Games, Chloe Anna Milligan (Pennsylvania State University, USA)Part III: Gaming Identity and Ideology in the Literature Classroom 12. Teaching the Iñupiaq Video Game Never Alone and/as Literature, Natalie Neill (York University, Canada)13. First Person in Translation: Gaming Perspectives on Indigenous Languages and Literature, Jillian Sayre (Rutgers University, USA)14. Playing in the Dark: Teaching Representation, Appropriation, and Identification with Assassin’s Creed III, James K. Harris (Bronx Community College, USA)15. Constructing Subjectivities and Teaching Otherness through the Silent Hill Series, Katsuya Izumi (University at Albany, USA)Part IV: Gamifying the Literature Classroom16. Film and Literature Instruction through Live-Action Role-Play, Evan Torner (University of Cincinnati, USA)17. How to Develop Gamified Pedagogical Strategies: A Case Study of Classical Japanese Poetry in the Undergraduate Classroom, Catherine Ryu (Michigan State University, USA)18. Designing and Implementing a Roleplaying-Game-Based Course in Advanced Classical Literature: Challenges, Benefits, and Iterations, Roger Travis (University of Connecticut, USA)19. Games We Play on Paper: Understanding the Process of Discovery through Detective Fiction and Behavioral Neuroscience, Michelle Robinson (University of North Carolina at Chapel Hill, USA) and Marsha Penner (University of North Carolina at Chapel Hill, USA)20. Making Feminist Games in the Gender Studies and Literature Classroom, Gabi Kirilloff (Texas Christian University, USA)Afterword: Confessions of a Game Scholar in an English Department, Anastasia Salter (University of Central Florida, USA)ResourcesNotes on ContributorsSelected BibliographyIndex

My top one recommendation for scholars teaching at the intersection of literature and games. It strikes the perfect balance between theory and practice, and between well-known classics and new explorations. Whether veteran or apprentice, you will keep returning to this book for inspiration, guidelines or resources. I definitely will.