Alessandra Gilibert, Freie Universität Berlin, Germany.

"[...] Gilibert's volume is a well-written, interesting, and creative analysis of the architecture and relief programs at Carchemish and Zincirli. It will be crucial reading for the burgeoning number of scholars interested in Syro-Anatolian archaeology and also constitutes an essential case study for all archaeologists interested in performance and the materialization of ideology cross-culturally."James F. Osborne in: American Journal of Archaeology 10/2012 "[...] Gilibert's book is a solid work that embeds a traditional art historical perspective into a more dynamic way at looking at the relationship between visual art and archaeological contexts in the process of reconstructing ancient ceremonial performances. This perspective is very innovative, especially for the study of ancient Near Eastern societies, and gives a multidimensional perspective on archaeological material that is now envisioned as part of a broader network of signifiers in which the material culture, the landscape, and the architecture are all connected in the cognitive schemata of the ancient people."Nicola Laneri in: BMCR 2012.01.32

Alessandra Gilibert, Freie Universität Berlin, Germany.

"[...] Gilibert's volume is a well-written, interesting, and creative analysis of the architecture and relief programs at Carchemish and Zincirli. It will be crucial reading for the burgeoning number of scholars interested in Syro-Anatolian archaeology and also constitutes an essential case study for all archaeologists interested in performance and the materialization of ideology cross-culturally."James F. Osborne in: American Journal of Archaeology 10/2012 "[...] Gilibert's book is a solid work that embeds a traditional art historical perspective into a more dynamic way at looking at the relationship between visual art and archaeological contexts in the process of reconstructing ancient ceremonial performances. This perspective is very innovative, especially for the study of ancient Near Eastern societies, and gives a multidimensional perspective on archaeological material that is now envisioned as part of a broader network of signifiers in which the material culture, the landscape, and the architecture are all connected in the cognitive schemata of the ancient people."Nicola Laneri in: BMCR 2012.01.32

Alessandra Gilibert, Freie Universität Berlin, Germany.

"[...] Gilibert's volume is a well-written, interesting, and creative analysis of the architecture and relief programs at Carchemish and Zincirli. It will be crucial reading for the burgeoning number of scholars interested in Syro-Anatolian archaeology and also constitutes an essential case study for all archaeologists interested in performance and the materialization of ideology cross-culturally."James F. Osborne in: American Journal of Archaeology 10/2012 "[...] Gilibert's book is a solid work that embeds a traditional art historical perspective into a more dynamic way at looking at the relationship between visual art and archaeological contexts in the process of reconstructing ancient ceremonial performances. This perspective is very innovative, especially for the study of ancient Near Eastern societies, and gives a multidimensional perspective on archaeological material that is now envisioned as part of a broader network of signifiers in which the material culture, the landscape, and the architecture are all connected in the cognitive schemata of the ancient people."Nicola Laneri in: BMCR 2012.01.32