Synesthetic Legalities

Sarah Marusek is an Associate Professor of Public Law in the Department of Political Science at the University of Hawai’i at Hilo. Her research interests focus on sites of constitutive law, legal geography, and legal semiotics while engaging legal pluralist frameworks of visual jurisprudence. She has published widely on these and related areas.

• Notes on ContributorsAcknowledgments Exploring Layers of Law and the Sensory at the Volcano [Sarah Marusek] What Legal Rules are Suitable for Protruding Media of Law and Why? Contribution to the Concept of Locality/Non-Locality of Legal Rules [Michał Dudek] From Waste Management to Recycling: Constructing Mental Health Policy in the Kingdom of Tonga [Timothy P. Fadgen] What Law Tastes Like: A Free Conjecture on the Palate of Juridicity [Marcílio Franca and Maria Francisca Carneiro (English Translation by Caio Martino)] How to Dance to the Law: Engaged Embodiment in Hegel’s Philosophy of Right[Christopher Lauer] A Tale of Outsourcing: The Enhanced Presence and Absence of Law through the Senses [Yue Ang] ‘Do Not Touch’: Prohibitions on Touch and the Incarcerated Female Body [Marilyn M. Brown] Deconstruction and Bio-politics: Asymmetrical Visuality, Spacing, Power [Chris Lloyd] Artistic Flash: Sketching the Courtroom Trial [Anita Lam] Dependency and Care in Peirce’s Training of Reasoning [Celia Bardwell-Jones] "Warmth" in Justice: (Re)semiotization of "Frozen Embryo" in the Civil Case of the Four Shidu Parents [Liping Zhang and Xian Zhou] The Copyright of my Sensorimotor Experience [Kristian Bankov] An Incitement to Rapey Discourse: Blurred Lines and the Erotics of Protest [Ummni Khan] "The Map is Not the Territory": Thoughts About Synesthesia and Law [John Brigham]Index

'A surprising and savory smörgåsbord of sensory stipulations. Synesthestic Legalities brings a brilliant and diverse array of scholarly attentions to the frequently misunderstood embodiments of law. The corpus iuris here becomes real, and the process of apprehending its foods, its tastes, its music, its flatness and protrusions, hauntings and the other odours of order, take in properly theatrical fashion to the jurisprudential stage.'Professor Peter Goodrich, Cardozo School of Law, USA‘The book flies us to Hawaï, its volcano’s and metaphors. Legal semiotics tells us there, that law involves all our senses and experiences. A feeling of revolt awakens, if that approach is fragmented. Only the peace of rational and sensual wholeness will be felt as meaningful. Law without senses is senseless — can you hear me?’ Professor Jan M. Broekman, University of Leuven, Belgium and Penn State, USA'Synesthetic Legalities builds on the connection between law and the senses, which is vigorously re-explored in the literature, fortified by law’s material and corporeal turns. But it takes it a step further: it brings in synesthetic, namely the sensorial overlapping where the cause does not determine the effect in a mechanistic manner, but allows for the emergence of a plethora of creative possibilities. Synesthetic Legalities is nothing less than a kaleidoscope of sensorial inputs, ranging from taste to the kinaesthetic, via such varied embodiments as dance, sketching, and ethics of care, all wrapped in the intense sensuality of volcanic ethics. The taste of law will never sound the same after reading this book.'Professor Andreas Philippopoulos-Mihalopoulos, University of Westminster, UK