Synchronization and Title Sequences

Audio-Visual Semiosis in Motion Graphics

Häftad, Engelska, 2019

Av Michael Betancourt

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Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

Produktinformation

Utgivningsdatum2019-12-12
Mått138 x 216 x 12 mm
Vikt195 g
FormatHäftad
SpråkEngelska
SerieRoutledge Studies in Media Theory and Practice
Antal sidor156
FörlagTaylor & Francis Ltd
ISBN9780367890391

Tillhör följande kategorier

Film inom Kultur
Digital konst, videokonst och new media arts inom Kultur
Grafik och bildbehandling inom Data och it
Medievetenskap inom Samhalle och politik
Television inom Kultur

Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice , Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo .