The Editor: Elza Adamowicz is Professor of French at Queen Mary, University of London. She has written extensively on surrealist art, film and texts, including Surrealist Collage: Dissecting the Exquisite Corpse (1998) and Ceci n’est pas un tableau: les écrits surréalistes sur l’art (2004).

• Contents: Elza Adamowicz: Introduction – Roger Cardinal: Breton’s travels – David Pinder: Urban encounters: dérives from Surrealism – Marie-Claire Barnet: L’Amour flou: Joyce Mansour on (fe)male desires – David Lomas: Vertigo: on some motifs in Masson, Bataille and Caillois – Johanna Malt: Recycling, contamination and compulsion: practices of the objet surréaliste – Jonathan Eburne: Locked room, bloody chamber – Jacqueline Rattray: Crossing the French-Spanish border with José Maria Hinojosa – Michel Remy: British surrealist painting and writing: re-marking the margin – David Bate: The space of the other – Elza Adamowicz: Off the map: Surrealism’s uncharted territories.

The Editor: Elza Adamowicz is Professor of French at Queen Mary, University of London. She has written extensively on surrealist art, film and texts, including Surrealist Collage: Dissecting the Exquisite Corpse (1998) and Ceci n’est pas un tableau: les écrits surréalistes sur l’art (2004).

• Contents: Elza Adamowicz: Introduction – Roger Cardinal: Breton’s travels – David Pinder: Urban encounters: dérives from Surrealism – Marie-Claire Barnet: L’Amour flou: Joyce Mansour on (fe)male desires – David Lomas: Vertigo: on some motifs in Masson, Bataille and Caillois – Johanna Malt: Recycling, contamination and compulsion: practices of the objet surréaliste – Jonathan Eburne: Locked room, bloody chamber – Jacqueline Rattray: Crossing the French-Spanish border with José Maria Hinojosa – Michel Remy: British surrealist painting and writing: re-marking the margin – David Bate: The space of the other – Elza Adamowicz: Off the map: Surrealism’s uncharted territories.

The Editor: Elza Adamowicz is Professor of French at Queen Mary, University of London. She has written extensively on surrealist art, film and texts, including Surrealist Collage: Dissecting the Exquisite Corpse (1998) and Ceci n’est pas un tableau: les écrits surréalistes sur l’art (2004).

• Contents: Elza Adamowicz: Introduction – Roger Cardinal: Breton’s travels – David Pinder: Urban encounters: dérives from Surrealism – Marie-Claire Barnet: L’Amour flou: Joyce Mansour on (fe)male desires – David Lomas: Vertigo: on some motifs in Masson, Bataille and Caillois – Johanna Malt: Recycling, contamination and compulsion: practices of the objet surréaliste – Jonathan Eburne: Locked room, bloody chamber – Jacqueline Rattray: Crossing the French-Spanish border with José Maria Hinojosa – Michel Remy: British surrealist painting and writing: re-marking the margin – David Bate: The space of the other – Elza Adamowicz: Off the map: Surrealism’s uncharted territories.