Sullied Magnificence

The Theatre of Mark O’Rowe

Häftad, Engelska, 2018

549 kr

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Sullied Magnificence: The Theatre of Mark O’Rowe is a collection of essays that combines the voices of Mark O’Rowe’s collaborators and critics with analysis by leading academics. It examines the role of the actor and director in monologue theatre. It questions the use of violence in O’Rowe’s films and plays. It explores influences and inspirations, and provides a thorough introduction to the work of one of Ireland’s most unique theatrical voices. It also takes a brief look at O’Rowe’s work for film, as both writer and director, and the crossover effect this work has had on his plays.

Produktinformation

Utgivningsdatum2018-12-05
Mått150 x 225 x 11 mm
Vikt260 g
FormatHäftad
SpråkEngelska
SerieCarysfort Press Ltd.
Antal sidor180
FörlagPeter Lang International Academic Publishers
ISBN9781788747837

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CONTENTS: Jimmy Fay: A Sense of Place, A Place of Dread - David S. Clare: «Keep the Aspidistra Flying»: The Satirizing of Celtic Tiger, «Aspirational» Lifestyles in Mark O’Rowe’s Early Work - Thomas B. Costello: Expletive Narrative: Mark O’Rowe’s Howie the Rookie: The Early Critical Reception of Dublin’s Dark Diegetic Narrative - Aidan Kelly: The Small Guy with the Glasses - Sara Keating: Crestfall: A Production Study - Tim Barrett: Performativity and Class in Mark O’Rowe’s Monologue Plays - Emma Creedon: From «Up-Yer-Hole» Theatre to the Shakesqueer: Made in China (2001) and Henry IV Part I (2002) - Marie Kelly: At the Terminus in the Brain: Illusions of Consciousness in Mark O’Rowe’s Terminus - Nelson Barre: Interwoven Locality and a Globalized Dublin: Mark O’Rowe’s Terminus - Harvey O’Brien: Violated Sanctuaries: The Screenplays of Mark O’Rowe - Emilie Pine: Review of Our Few and Evil Days - Cormac O’Brien: A Tallaght of the Mind: In Conversation with Mark O’Rowe.

«Mark O’Rowe is one of contemporary theatre’s great extremists - vivid, violent, beautiful, grotesque, each play a savage war between form and content. It takes some daring to explore the minefields he creates and in this very welcome volume, the authors do so with an intelligence that matches their intrepidity. Anyone with an interest in Irish theatre now will want to read it.»(Fintan O’Toole)