Anders Hammarlund, Tord Olsson, Elisabeth Ozdalga

• Introduction: An Annotated Glossary, PART I: TASAVVUF AND MUSIC, The Role of Music in Islamic Mysticism, PART II: METHOD AND AESTHETICS General Socio-musicological Concepts: Expression, Structure, and Context, Patterns of Change and Continuity in Liturgical and Ritual Music, Sacral, Secular or Sacred? An Essay on Music and Aesthetic Emancipation, PART III: STRUCTURE AND EVOLUTION Structure and Evolution of the Mevlevi Ayin: The Case of the Third Selâm, Music and Sam?‘ of the Mavlaviyya in the Fifteenth and Sixteenth Centuries: Origins, Ritual and Formation, From the Court and Tarikat to the Synagogue: Ottoman Art Music and Hebrew, Sacred Songs PART IV: CHANGE AND CONTINUITY IN THE MODERN ERA The Technical Modernization of Turkish Sufi Music: The Case of the Durak, An Inner History of “Turkish Music Revolution”—Demise of a Music Magazine, An Introduction to the History of Music Debates in Turkey, Tasavvuf, Music and Social Change in the Balkans PART V: SUFI MUSIC AND THE MEDIA Sufi Music and Rites in the Era of Mass Reproduction Techniques and Culture