Subject–Object Art Theory

Name: Subject–Object Art Theory
SKU: 9781803095813
Price: 299 SEK
Availability: InStock
Author: Pyotr Pavlensky
ISBN: 9781803095813

Häftad, Engelska, 2025

AvPyotr Pavlensky

299 kr

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Pyotr Pavlensky turns state violence into his medium—now, in his own words, he reveals the theory behind the fire.Pyotr Pavlensky’s Subject–Object Art Theory is both a manifesto and a method—an incendiary redefinition of what art can and should be in an era of increasing repression. Known for his radical public events, such as setting fire to government buildings, stitching his lips shut, or nailing his own body to the ground, Pavlensky has been called a provocateur. In this book, he offers his own framework: subject–object art, a practice that redefines the position of art with respect to power and forces state mechanisms to work for art.Venturing past the confines of political art, he examines the historical intersections of art and power, situating his work within a lineage of radical avant-garde movements. Whether seen as a guide or an act of defiance in itself, Subject–Object Art Theory urges the reader to rethink artistic freedom but as a means of bringing art back to its true independence.

Produktinformation

Utgivningsdatum2025-11-10
Mått190 x 10 x 140 mm
Vikt180 g
FormatHäftad
SpråkEngelska
SerieEnactments
Antal sidor132
FörlagSeagull Books London Ltd
ISBN9781803095813
ÖversättareAnna Aslanyan

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Konsthistoria inom Kultur
Övriga konstformer inom Kultur

Pyotr Pavlensky is an artist and author born in 1984 in Leningrad and now lives in Paris. Initially, his art was labeled political, but in 2019 Pavlensky rejected this term as inconsistent with the very essence of his work. Redefining his practice as subject–object art, he formulated its theoretical foundations and presently combined them into a book. Anna Aslanyan is a journalist and translator. Her translations from Russian include A Journey to Inner Africa by Egor Kovalevsky and Sergei Tretyakov’s essays for a forthcoming anthology of modernism. She is the author of Dancing on Ropes: Translators and the Balance of History, a popular history of translation.

“Pavlensky’s work draws on a venerable tradition of performance art in which the body is used to interrogate cultural norms and power dynamics. . . . For Pavlensky, the initial action is just the beginning of a larger process. Even as every element is precisely calculated — ‘I have to practice each gesture carefully, where I’m going to put my foot, my hand, because once I’m there, everything moves very quickly and there are so many unforeseeables,’ he told me — what interests him is the state’s involuntary collaboration in his work.”