Del 8 i serien Cambridge Studies in Renaissance Literature and Culture

Subject and Object in Renaissance Culture

Häftad, Engelska, 1996

AvMargreta de Grazia,Maureen Quilligan,Peter Stallybrass

959 kr

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This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations.

Produktinformation

Utgivningsdatum1996-02-23
Mått152 x 228 x 23 mm
Vikt581 g
FormatHäftad
SpråkEngelska
SerieCambridge Studies in Renaissance Literature and Culture
Antal sidor420
FörlagCambridge University Press
ISBN9780521455893

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Litteraturvetenskap inom Skönlitteratur

Introduction Margreta de Grazia, Maureen Quilligan and Peter Stallybrass; Part I. Priority of Objects: 1. The ideology of superfluous things: King Lear as period piece Margreta de Grazia; 2. Rude mechanicals Patricia Parker; 3. Spenser's domestic domain: poetry property and the Early Modern subject Louis A. Montrose; Part II. Materialisations: 4. Gendering the Crown Stephen Orgel; 5. The unauthored 1539 volume in which is printed the Hecatomphile, The Flowers of French Poetry and Other Soothing Things Nancy J. Vickers; 6. Dematerialisations: textile and textual properties in Ovid, Sandys, and Spenser Ann Rosalind Jones; Part III. Appropriations: 7. Freedom service and the trade in slaves: the problem of labour in Paradise Lost Maureen Quilligan; 8. Feathers and flies: Aphra Behn and the seventeenth-century trade in exotica Margaret W. Ferguson; 9. Unlearning the Aztec Cantares (Preliminaries to a postcolonial history) Gary Tomlinson; Part IV. Fetishisms: 10. Worn worlds: clothes and identity on the Renaissance stage Peter Stallybrass; 11. The Countess of Pembroke's literal translation Jonathan Goldberg; 12. Remnants of the sacred in early modern England Stephen Greenblatt; Part V. Objections: 13. The insincerity of women Marjorie Garber; 14. Desire is death Jonathan Dollimore; Index.