Studies in the History of Italian Art 1250-1550

• Preface The Interior Decoration of the Palazzo Datini in Prato A Madonna Panel from the Circle of the Early Duccio A New Work by the Master of the Arte della Lana Coronation A Reconstruction of Masolino's True Cross Cycle in Santo Stefano, Empoli Three New Works by Cenni di Francesco A New Work by the Young Lorenzo di Niccolò Masaccio, Lippi or Hugford? A Giottesque Crucifix in San Pietro in Monticelli On an Early Florentine Fresco Another Look at Giotto's Stigmatization of Saint Francis Richard Offner and Modern Trecento Scholarship Giovanni Lami's Dissertazione Old and New in the Early Trecento Il Cristo in pietà - Un Taddeo di Bartolo trascurato Giotto's Apparition of St. Francis at Arles: The Case of the Missing Crucifix? A Popular Painting from the Early Trecento Some Discoveries in the Cappella Maggiore in Santa Croce, Florence Ruskin at Assisi Some Sinopie by Taddeo Gaddi Reconsidered Taddeo Gaddi, Giotto, and Assisi A New Niccolò di Buonaccorso Italian Maiolica from Midwestern Collections Morelli, Mea, and Giotto Some Thoughts on Orcagna and the Black Death Style Painting After Mid-Century The Last Quarter of the Trecento Virtues and Vices in Giotto's Arena Chapel Frescoes Titian and the Idea of Originality in the Renaissance R. Offner and K. Steinweg, Giovanni del Biondo (Corpus of Florentine Painting) R. Oertel, Early Italian Painting to 1400 M. Lavin, Piero della Francesca: The Flagellation H.W. van Os and M. Prakken, The Florentine Paintings in Holland B. Fredericksen and F. Zeri, Census of Pre-Nineteenth-Century Italian Painting in North American Public Collections A. Smart, The Dawn of Italian Painting J. Hook, Siena: A City and Its History Additional Notes Index

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