Bernard O’Kane is Professor of Islamic Art and Architecture at the American University in Cairo. He is the author of Timurid Architecture in Khurasan (1987), Studies in Persian Art and Architecture (1996) and Early Persian Painting (2003); and the editor of Treasures of Islamic Art in the Museums of Cairo (2006).

• 1. Mughal Tilework: Derivative or Original?; 2. Architecture and Court Cultures of the 14th Century; 3. The Mausoleum of Yayha al-Shabih Revisited, with Bahia Shehab; 4. Introduction in The Mosques of Egypt; 5. Residential Architecture of the Darb Zubayda; 6. The Design of Cairo’s Masonry Domes; 7. James Wild and the Mosque of Bashtak; 8. The Great Mosque of Hama Redux; 9. Ayyubid Architecture in Cairo; 10. The Nine-Bay Plan in Islamic Architecture: Its Origin, Development and Meaning; 11. The Arboreal Aesthetic: Landscape, Painting and Architecture from Mongol Iran to Mamluk Egypt; 12. Domestic and Religious Architecture in Cairo: Mutual Influences; 13. The Ziyāda of the Mosque of al-Ḥākim and the Development of the Ziyāda in Islamic Architecture; 14. The Mosque; 15. Monumentality in Mamluk and Mongol Art and Architecture; 16. The Madrasa of Badr al-Dīn al-‘Aynī and Its Tiled Miḥrāb, with Laila Ibrahim; 17. The Rise of the Minaret; 18. Review of M. Burgoyne, D.S. Richards, Mamluk Jerusalem: An Architectural Study.

Bernard O’Kane is Professor of Islamic Art and Architecture at the American University in Cairo. He is the author of Timurid Architecture in Khurasan (1987), Studies in Persian Art and Architecture (1996) and Early Persian Painting (2003); and the editor of Treasures of Islamic Art in the Museums of Cairo (2006).

• 1. Mughal Tilework: Derivative or Original?; 2. Architecture and Court Cultures of the 14th Century; 3. The Mausoleum of Yayha al-Shabih Revisited, with Bahia Shehab; 4. Introduction in The Mosques of Egypt; 5. Residential Architecture of the Darb Zubayda; 6. The Design of Cairo’s Masonry Domes; 7. James Wild and the Mosque of Bashtak; 8. The Great Mosque of Hama Redux; 9. Ayyubid Architecture in Cairo; 10. The Nine-Bay Plan in Islamic Architecture: Its Origin, Development and Meaning; 11. The Arboreal Aesthetic: Landscape, Painting and Architecture from Mongol Iran to Mamluk Egypt; 12. Domestic and Religious Architecture in Cairo: Mutual Influences; 13. The Ziyāda of the Mosque of al-Ḥākim and the Development of the Ziyāda in Islamic Architecture; 14. The Mosque; 15. Monumentality in Mamluk and Mongol Art and Architecture; 16. The Madrasa of Badr al-Dīn al-‘Aynī and Its Tiled Miḥrāb, with Laila Ibrahim; 17. The Rise of the Minaret; 18. Review of M. Burgoyne, D.S. Richards, Mamluk Jerusalem: An Architectural Study.

Bernard O’Kane is Professor of Islamic Art and Architecture at the American University in Cairo. He is the author of Timurid Architecture in Khurasan (1987), Studies in Persian Art and Architecture (1996) and Early Persian Painting (2003); and the editor of Treasures of Islamic Art in the Museums of Cairo (2006).

• 1. Mughal Tilework: Derivative or Original?; 2. Architecture and Court Cultures of the 14th Century; 3. The Mausoleum of Yayha al-Shabih Revisited, with Bahia Shehab; 4. Introduction in The Mosques of Egypt; 5. Residential Architecture of the Darb Zubayda; 6. The Design of Cairo’s Masonry Domes; 7. James Wild and the Mosque of Bashtak; 8. The Great Mosque of Hama Redux; 9. Ayyubid Architecture in Cairo; 10. The Nine-Bay Plan in Islamic Architecture: Its Origin, Development and Meaning; 11. The Arboreal Aesthetic: Landscape, Painting and Architecture from Mongol Iran to Mamluk Egypt; 12. Domestic and Religious Architecture in Cairo: Mutual Influences; 13. The Ziyāda of the Mosque of al-Ḥākim and the Development of the Ziyāda in Islamic Architecture; 14. The Mosque; 15. Monumentality in Mamluk and Mongol Art and Architecture; 16. The Madrasa of Badr al-Dīn al-‘Aynī and Its Tiled Miḥrāb, with Laila Ibrahim; 17. The Rise of the Minaret; 18. Review of M. Burgoyne, D.S. Richards, Mamluk Jerusalem: An Architectural Study.