Still Loitering

Valentina Gosetti is Senior Lecturer in French at the University of New England, Australia, following her years as the Kathleen Bourne Junior Research Fellow in French and Comparative Literature at St Anne’s College, University of Oxford.Alistair Rolls is Associate Professor of French Studies at the University of Newcastle, Australia. His research has focused on Boris Vian and, in common with Ross Chambers, intertextuality and Charles Baudelaire.

• CONTENTS: Valentina Gosetti/Alistair Rolls – Introduction: Loitering On – Anne Freadman: Ross Chambers: A Life in Books – Jarrod Hayes: Ross Chambers’s Transpacific Moves and French Cultural Studies: To Sandy Petrey, with Love – Alistair Rolls: The Ethics of Reading in the Double Negative – Murray Pratt: «The End of Dialogue»: Story and Situation in Ali Smith’s Autumn – Greg Hainge: The Uncanny Hinterland of Things: On Chambers’s An Atmospherics of the City and Speculative Realism – Joe Hardwick: House of Mirrors: Narrative Seduction and the Power of Fiction in François Ozon’s Dans la maison (2012) – Sophie Patrick: Houellebecq’s Women as Melancholic Subjects – Valentina Gosetti: Ross Chambers, Beyond Baudelaire: In Defence of (Transloitering) Poetry – Ross Chambers: A Bibliography

«This excellent collection engages with some of the major themes of Ross Chambers’s scholarly work, which spanned French studies, comparative literature, cultural studies, queer studies, and literary and narrative theory. By doing so, it is not just a fitting intellectual tribute to an inspiring colleague but serves as a useful introduction to his work.» (Brian Nelson, Monash University, Melbourne)«In life and in death, Ross Chambers became a touchstone for many humanities scholars – on both sides of the Pacific. He had the kinds of abilities that could have made him an imperious intellectual authority, together with an extraordinary generosity, openness, and oppositional ethos that made him an ideal or inspiration to many a scholar and student [...]. Those to whom his work matters most, such as the authors of this collection, feel themselves summoned by it to what they consider best in their own intellectual calling and their profession – to forms of reading, teaching, and publication that combine critical sophistication and ethical commitment. These essays thus constitute a kind of collective self-portrait of the literary humanities [...].» (William Paulson, Nineteenth-Century French Studies 49.1-2, 2020)