Inbunden, Engelska, 2015

Stealing Dylan From Woodstock

When the World Came to the Isle of Wight

Av Ray Foulk, Caroline Foulk

389 kr

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Beskrivning

For a time, the Isle of Wight Festivals transformed a sleepy English island into the rock'n'roll capital of the world. From promoting a one-nighter in 1968, to raise funds for a local swimming pool, the young Foulk brothers were able to outperform Woodstock, by signing the world-exclusive appearance of rock's poet laureate, Bob Dylan. The de facto leader of the counterculture had been hidden away in the artist-town of Woodstock, rarely seen after a motorcycle accident three years earlier. He turned his back on the eponymous festival, put there to persuade him to come out and play, and left for Europe on the day their event began. For the Foulk brothers - lacking experience, resources and time - the coup and ensuing public response was almost overwhelming, but with audacious bravado and steely determination they delivered the most awaited event of the era. Devotees from hippies to celebrities flocked to the Island from mainland Britain, Europe, the Americas and as far away as Australia. As well as changing the lives of Ray and his brothers the phenomenon played its part in a highly transformative period for Bob Dylan, in which the Isle of Wight remained his one and only full concert appearance in seven-and-a-half years.

Produktinformation

Utgivningsdatum: 2015-06-01
Mått: 152 x 228 x 30 mm
Vikt: 790 g
Format: Inbunden
Språk: Engelska
Antal sidor: 312
Förlag: Medina Publishing Ltd
ISBN: 9781909339507

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RAY FOULK, now based in Oxford, has fostered many passions since his early days as a promoter. After the dizzy heights of the Isle of Wight Festivals and stadium events in London, the Foulk brothers were head-hunted by the Milton Keynes Development Corporation to help plan the leisure content of their new city. Through this Ray brought the inventor/scientist/ designer Buckminster Fuller, to the project, embraced his environmentalism, and eventually trained as an architect himself at the University of Cambridge. Combining design, education and promotion he spent much of the nineties and noughties as an environmental campaigner, and led the ambitious in-schools project, Blue Planet Day, rekindling the satisfaction, and more, that the festivals had brought to his youth. Recent years have been dominated by environmental architecture and writing. CAROLINE FOULK has worked with her father, Ray, for many years, researching, writing, and co-promoting the schools environmental project, Blue Plant Day. Recently, together they have completed a screenplay for the cinema about the invention of modern art. Caroline trained and worked as a teacher and lives in Oxford with her husband and three children.

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