Jonathan W. Marshall has previously published on fin de siècle performance culture in Europe, particularly as regards the neurosciences and hysteria, as well as site-based performance, and is an expert on Japanese butoh dance.David Shirley trained at London’s ArtsEd and is currently Executive Dean of the Western Australian Academy of Performing Arts, at Edith Cowan University, Australia. In addition to his professional profile as an actor and director, Shirley has published on Stanislavsky, Strasberg, Meisner, and others.

• 0. Preface to Stanislavsky and Place: Where Nature and Creativity Dialogue 1. Introduction to the Volume: Stand In Place / Stanislavsky and Place 2. Reflections on an Expanding Horizon: Stanislavsky And/As Place 3. Planes, Trains and Russian Cosmopolitism: Stanislavsky’s Spatial Imaginary 4. Krivina, Chekhov, Stanislavsky, and the Magic of Play 5. The Place of Affect and Emotional Feeling in Theatre’s Political Climates of Environmental Degradation 6. In Place & Process: Communion on Country 7. K’s Place: Super Self Storage 1904, Stanislavsky Avenue, Cardiff 8. The Place of the Body and the Subject in Australian Contemporary Performance: The Stanislavsky and Place Plenary Panel 9. Notions of Dis/Place in Performance: NIDA’s Multimedia Production of Kafka’s Metamorphosis (2021)

Jonathan W. Marshall has previously published on fin de siècle performance culture in Europe, particularly as regards the neurosciences and hysteria, as well as site-based performance, and is an expert on Japanese butoh dance.David Shirley trained at London’s ArtsEd and is currently Executive Dean of the Western Australian Academy of Performing Arts, at Edith Cowan University, Australia. In addition to his professional profile as an actor and director, Shirley has published on Stanislavsky, Strasberg, Meisner, and others.

• 0. Preface to Stanislavsky and Place: Where Nature and Creativity Dialogue 1. Introduction to the Volume: Stand In Place / Stanislavsky and Place 2. Reflections on an Expanding Horizon: Stanislavsky And/As Place 3. Planes, Trains and Russian Cosmopolitism: Stanislavsky’s Spatial Imaginary 4. Krivina, Chekhov, Stanislavsky, and the Magic of Play 5. The Place of Affect and Emotional Feeling in Theatre’s Political Climates of Environmental Degradation 6. In Place & Process: Communion on Country 7. K’s Place: Super Self Storage 1904, Stanislavsky Avenue, Cardiff 8. The Place of the Body and the Subject in Australian Contemporary Performance: The Stanislavsky and Place Plenary Panel 9. Notions of Dis/Place in Performance: NIDA’s Multimedia Production of Kafka’s Metamorphosis (2021)

Jonathan W. Marshall has previously published on fin de siècle performance culture in Europe, particularly as regards the neurosciences and hysteria, as well as site-based performance, and is an expert on Japanese butoh dance.David Shirley trained at London’s ArtsEd and is currently Executive Dean of the Western Australian Academy of Performing Arts, at Edith Cowan University, Australia. In addition to his professional profile as an actor and director, Shirley has published on Stanislavsky, Strasberg, Meisner, and others.

• 0. Preface to Stanislavsky and Place: Where Nature and Creativity Dialogue 1. Introduction to the Volume: Stand In Place / Stanislavsky and Place 2. Reflections on an Expanding Horizon: Stanislavsky And/As Place 3. Planes, Trains and Russian Cosmopolitism: Stanislavsky’s Spatial Imaginary 4. Krivina, Chekhov, Stanislavsky, and the Magic of Play 5. The Place of Affect and Emotional Feeling in Theatre’s Political Climates of Environmental Degradation 6. In Place & Process: Communion on Country 7. K’s Place: Super Self Storage 1904, Stanislavsky Avenue, Cardiff 8. The Place of the Body and the Subject in Australian Contemporary Performance: The Stanislavsky and Place Plenary Panel 9. Notions of Dis/Place in Performance: NIDA’s Multimedia Production of Kafka’s Metamorphosis (2021)