Staging Romantic Chameleons and Imposters

William D. Brewer is Professor of English at Appalachian State University, USA.

• Introduction 1. The Case of the Pretended Duke of Ormond 2. Richard Cumberland's Imposters 3. Thomas Holcroft's Politicized Imposter and Sycophantic Chameleon 4. Fluid Identities in Hannah Cowley's Universal Masquerade 5. Mary Robinson's Polygraphs 6. James Kenney's Opportunistic, Reformative, and Imitative Chameleons Epilogue: The Perkin Warbeck Debate

“William D. Brewer’s Staging Romantic Cha-meleons and Imposters proposes a broad definition of theatricality that moves from the stage to the page and from the world of fiction to real-life imposters. … This book will interest not only scholars of the period’s drama but also students of, say, Keatsian poetics or Byronic mobility.” (Recent Studies in the Nineteenth Century, Vol. 56 (4), Autumn, 2016)