Vicky Angelaki is Professor in the Department of Humanities and Social Sciences, Mid Sweden University / Mittuniversitetet, Sundsvall, Sweden. She is the recipient  of a sabbatical grant for the project “Performing Interspaces: Social Fluidities in Contemporary Theatre”, Riksbankens Jubileumsfond (2022). Vicky's previous publications include The Plays of Martin Crimp: Making Theatre Strange (2012), Social and Political Theatre in 21st-Century Britain: Staging Crisis (2017), Theatre and Environment  (2019), Martin Crimp’s Power Plays: Intertextuality, Sexuality, Desire (2022). Vicky is also the co-editor of the series 'Adaptation in Theatre and Performance' (Palgrave Macmillan).

• 1. Introduction: environments and interspaces.- 2. Theorising interspaces: creative and critical intersections.- 3. The room: intimate microcosms and world formation.- 4. The transient: palindromic nomadisms and invisile transports.- 5. The limbo: liminal loci and timeless travels.- 6. The deviant: unruly spaces and errant experiences.- 7. The virtual: hybrid environments and deepfake realities.- 8. Afterword.

Vicky Angelaki is Professor in the Department of Humanities and Social Sciences, Mid Sweden University / Mittuniversitetet, Sundsvall, Sweden. She is the recipient  of a sabbatical grant for the project “Performing Interspaces: Social Fluidities in Contemporary Theatre”, Riksbankens Jubileumsfond (2022). Vicky's previous publications include The Plays of Martin Crimp: Making Theatre Strange (2012), Social and Political Theatre in 21st-Century Britain: Staging Crisis (2017), Theatre and Environment  (2019), Martin Crimp’s Power Plays: Intertextuality, Sexuality, Desire (2022). Vicky is also the co-editor of the series 'Adaptation in Theatre and Performance' (Palgrave Macmillan).

• 1. Introduction: environments and interspaces.- 2. Theorising interspaces: creative and critical intersections.- 3. The room: intimate microcosms and world formation.- 4. The transient: palindromic nomadisms and invisile transports.- 5. The limbo: liminal loci and timeless travels.- 6. The deviant: unruly spaces and errant experiences.- 7. The virtual: hybrid environments and deepfake realities.- 8. Afterword.

Vicky Angelaki is Professor in the Department of Humanities and Social Sciences, Mid Sweden University / Mittuniversitetet, Sundsvall, Sweden. She is the recipient  of a sabbatical grant for the project “Performing Interspaces: Social Fluidities in Contemporary Theatre”, Riksbankens Jubileumsfond (2022). Vicky's previous publications include The Plays of Martin Crimp: Making Theatre Strange (2012), Social and Political Theatre in 21st-Century Britain: Staging Crisis (2017), Theatre and Environment  (2019), Martin Crimp’s Power Plays: Intertextuality, Sexuality, Desire (2022). Vicky is also the co-editor of the series 'Adaptation in Theatre and Performance' (Palgrave Macmillan).

• 1. Introduction: environments and interspaces.- 2. Theorising interspaces: creative and critical intersections.- 3. The room: intimate microcosms and world formation.- 4. The transient: palindromic nomadisms and invisile transports.- 5. The limbo: liminal loci and timeless travels.- 6. The deviant: unruly spaces and errant experiences.- 7. The virtual: hybrid environments and deepfake realities.- 8. Afterword.