Rolf Bader is professor for Systematic Musicology at the Institute of Systematic Musicology at the University of Hamburg, Germany. He studied Systematic Musicology, Physics, Ethnology and Historic Musicology at the University of Hamburg. There he obtained his PhD and habilitation on topics of Musical Acoustics, Music Psychology and Musical Signal Processing. He was a visiting scholar at the Center for Computer Music and Research (CCRMA) at Stanford University in 2005/2006. His major fields of research are Musical Acoustics and Musical Signal Processing, Musical Hardware and Software Development, Music Psychology and Neurocognition, Music Ethnology and Philosophy of Music. He is co-editor of the Springer series Current Research in Systematic Musicology. He published several books as an author, such as Nonlinearities and Synchronization in Musical Acoustics and Music Psychology or Computational Mechanics of the Classical Guitar. Additionally he edited Sound – Perception – Performance and Concepts, Experiments, and Fieldwork: Studies in Systematic Musicology and many contributing book chapters or peer-reviewed papers. He conducted fieldwork as an ethnomusicologist in Bali, Nepal, Thailand, Cambodia, Myanmar, Sri Lanka, China and India since 1999. He was also working as a professional musician, composer and artist, running recording studios, working as a music journalist, leading exhibitions and running a cinema.

• From the Contents: Historical Review.- Part A: Musical Acoustics.- Part B: Musical Signal Processing.- Part C:Music Psychology and Physiology.- Part D: Psychoacoustics.- Part E: Embodied Music Cognition.- Part F: Modern Media Application.- Part G: Ethnomusicology.

Rolf Bader is professor for Systematic Musicology at the Institute of Systematic Musicology at the University of Hamburg, Germany. He studied Systematic Musicology, Physics, Ethnology and Historic Musicology at the University of Hamburg. There he obtained his PhD and habilitation on topics of Musical Acoustics, Music Psychology and Musical Signal Processing. He was a visiting scholar at the Center for Computer Music and Research (CCRMA) at Stanford University in 2005/2006. His major fields of research are Musical Acoustics and Musical Signal Processing, Musical Hardware and Software Development, Music Psychology and Neurocognition, Music Ethnology and Philosophy of Music. He is co-editor of the Springer series Current Research in Systematic Musicology. He published several books as an author, such as Nonlinearities and Synchronization in Musical Acoustics and Music Psychology or Computational Mechanics of the Classical Guitar. Additionally he edited Sound – Perception – Performance and Concepts, Experiments, and Fieldwork: Studies in Systematic Musicology and many contributing book chapters or peer-reviewed papers. He conducted fieldwork as an ethnomusicologist in Bali, Nepal, Thailand, Cambodia, Myanmar, Sri Lanka, China and India since 1999. He was also working as a professional musician, composer and artist, running recording studios, working as a music journalist, leading exhibitions and running a cinema.

• From the Contents: Historical Review.- Part A: Musical Acoustics.- Part B: Musical Signal Processing.- Part C:Music Psychology and Physiology.- Part D: Psychoacoustics.- Part E: Embodied Music Cognition.- Part F: Modern Media Application.- Part G: Ethnomusicology.

Rolf Bader is professor for Systematic Musicology at the Institute of Systematic Musicology at the University of Hamburg, Germany. He studied Systematic Musicology, Physics, Ethnology and Historic Musicology at the University of Hamburg. There he obtained his PhD and habilitation on topics of Musical Acoustics, Music Psychology and Musical Signal Processing. He was a visiting scholar at the Center for Computer Music and Research (CCRMA) at Stanford University in 2005/2006. His major fields of research are Musical Acoustics and Musical Signal Processing, Musical Hardware and Software Development, Music Psychology and Neurocognition, Music Ethnology and Philosophy of Music. He is co-editor of the Springer series Current Research in Systematic Musicology. He published several books as an author, such as Nonlinearities and Synchronization in Musical Acoustics and Music Psychology or Computational Mechanics of the Classical Guitar. Additionally he edited Sound – Perception – Performance and Concepts, Experiments, and Fieldwork: Studies in Systematic Musicology and many contributing book chapters or peer-reviewed papers. He conducted fieldwork as an ethnomusicologist in Bali, Nepal, Thailand, Cambodia, Myanmar, Sri Lanka, China and India since 1999. He was also working as a professional musician, composer and artist, running recording studios, working as a music journalist, leading exhibitions and running a cinema.

• From the Contents: Historical Review.- Part A: Musical Acoustics.- Part B: Musical Signal Processing.- Part C:Music Psychology and Physiology.- Part D: Psychoacoustics.- Part E: Embodied Music Cognition.- Part F: Modern Media Application.- Part G: Ethnomusicology.