Khaleel Malik is Senior Lecturer at Alliance Manchester Business School/Manchester Institute of Innovation Research in the University of Manchester, UK. He has researched and published many articles in international journals mainly focusing on innovation management and innovation policy. He is also the Book Review Editor of the journal R&D Management. Rajinder Dudrah is Professor of Cultural Studies and Creative Industries in the School of Media, Birmingham City University, UK. He has researched and published widely across film, media and cultural studies. He has authored, amongst others, Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema (Routledge). He is also the founding co-editor of the journal South Asian Popular Culture.

• 1. South Asian creative and cultural industries: Introduction 2. Beyond the creative class, mapping the collaborative economy of Bangladeshi creative industries: Case study of Oitij-jo 3. What ‘value’ South Asian arts in Britain? 4.The Production of Ek Tha Tiger: A marriage of convenience between Bollywood and the Irish film and tourist industries 5.‘New Bollywood’ and the emergence of a ‘Production House’ culture 6. Optimize the contribution of design to innovation performance in Indian SMEs - What roles for culture, tradition, policy and skills? 7. Envisioning the future: Financialization and the Indian entertainment industry reports 8. Bahrisons New Delhi: Commerce and creativity in Khan Market 9. Impacts of funding in digitising the Bangladesh Film Industry: Challenges ahead 10. Creative enterprise from the medieval to the modern period: Alternative perspectives.

Khaleel Malik is Senior Lecturer at Alliance Manchester Business School/Manchester Institute of Innovation Research in the University of Manchester, UK. He has researched and published many articles in international journals mainly focusing on innovation management and innovation policy. He is also the Book Review Editor of the journal R&D Management. Rajinder Dudrah is Professor of Cultural Studies and Creative Industries in the School of Media, Birmingham City University, UK. He has researched and published widely across film, media and cultural studies. He has authored, amongst others, Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema (Routledge). He is also the founding co-editor of the journal South Asian Popular Culture.

• 1. South Asian creative and cultural industries: Introduction 2. Beyond the creative class, mapping the collaborative economy of Bangladeshi creative industries: Case study of Oitij-jo 3. What ‘value’ South Asian arts in Britain? 4.The Production of Ek Tha Tiger: A marriage of convenience between Bollywood and the Irish film and tourist industries 5.‘New Bollywood’ and the emergence of a ‘Production House’ culture 6. Optimize the contribution of design to innovation performance in Indian SMEs - What roles for culture, tradition, policy and skills? 7. Envisioning the future: Financialization and the Indian entertainment industry reports 8. Bahrisons New Delhi: Commerce and creativity in Khan Market 9. Impacts of funding in digitising the Bangladesh Film Industry: Challenges ahead 10. Creative enterprise from the medieval to the modern period: Alternative perspectives.

Khaleel Malik is Senior Lecturer at Alliance Manchester Business School/Manchester Institute of Innovation Research in the University of Manchester, UK. He has researched and published many articles in international journals mainly focusing on innovation management and innovation policy. He is also the Book Review Editor of the journal R&D Management. Rajinder Dudrah is Professor of Cultural Studies and Creative Industries in the School of Media, Birmingham City University, UK. He has researched and published widely across film, media and cultural studies. He has authored, amongst others, Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema (Routledge). He is also the founding co-editor of the journal South Asian Popular Culture.

• 1. South Asian creative and cultural industries: Introduction 2. Beyond the creative class, mapping the collaborative economy of Bangladeshi creative industries: Case study of Oitij-jo 3. What ‘value’ South Asian arts in Britain? 4.The Production of Ek Tha Tiger: A marriage of convenience between Bollywood and the Irish film and tourist industries 5.‘New Bollywood’ and the emergence of a ‘Production House’ culture 6. Optimize the contribution of design to innovation performance in Indian SMEs - What roles for culture, tradition, policy and skills? 7. Envisioning the future: Financialization and the Indian entertainment industry reports 8. Bahrisons New Delhi: Commerce and creativity in Khan Market 9. Impacts of funding in digitising the Bangladesh Film Industry: Challenges ahead 10. Creative enterprise from the medieval to the modern period: Alternative perspectives.