Sounds of Vacation

Jocelyne Guilbault is Professor of Music at the University of California, Berkeley, and coauthor of Roy Cape: A Life on the Calypso and Soca Bandstand, also published by Duke University Press.Timothy Rommen is Davidson Kennedy Professor in the College of Arts and Sciences and Professor of Music and Africana Studies at the University of Pennsylvania. He is the author of Funky Nassau: Roots, Routes, and Representation in Bahamian Popular Music.

• Acknowledgments  viiPrologue / Steven Feld  1Introduction. The Political Economy of Music and Sound: Case Studies in the Caribbean Tourism Industry / Jocelyne Guilbault and Timothy Rommen  91. It Sounds Better in the Bahamas: Musicians, Management, and the Markets in Nassau's All-Inclusive Hotels / Timothy Rommen  412. Touristic Rhythms: The Club Remix / Jerome Camal  773. Listening for Noise: Seeking Disturbing Sounds in Tourist Spaces / Susan Harewood  1074. All-Inclusive Resorts in Sint Maarten and Our Common Decolonial State: On Butterflies That Are Caterpillars Still in Chrysalis / Francio Guadeloupe and Jordi Halfman  1345. Sound Management: Listening to Sandals Halcyon in Saint Lucia / Jocelyne Guilbault   161Epilogue. The Political Economy of Music and Sound / Percy C. Hintzen  193References  207Contributors  227Index  229

“Illuminating the ways that the sonic environment of inclusive resorts inform tourists' experiences of pleasure, postcolonial spaces, and colonial histories, Sounds of Vacation represents an exciting new approach to studying tourism, the politics of sound and listening, and the sonic and musical construction of space and fantasy.” - Colleen Ballerino Cohen, author of (Take Me to My Paradise: Tourism and Nationalism in the British Virgin Islands) “Sounds of Vacation takes Caribbean music studies, and music and tourism studies more broadly, to the next level. Jocelyne Guilbault and Timothy Rommen’s learned and comprehensive introduction paves the way for fresh and compelling case studies by leading scholars from a variety of fields who show us how vacations work in a world increasingly disfigured by neoliberal capitalism.” - Timothy D. Taylor, author of (Music in the World: Selected Essays) “The book achieves its central goal of offering new perspectives on musical performances in the Caribbean region while also calling for further studies on the political economy of music within the tourism industry.… Sounds of Vacation presents a range of voices from scholars with a diversity of perspectives that will help the book speak to audiences interested in ethnomusicology, anthropology, and sound studies beyond the Caribbean.”- Jessica C. Hajek (Ethnomusicology Forum) “Clearly, mass tourism has become ubiquitous throughout the Caribbean (and beyond), and ethnographers of sound and music should pay serious attention to the ways in which this phenomenon influences musico-cultural production-a project for which this book wonderfully lays the groundwork…. This trailblazing book provides many starting points for exciting research to come.” - Amalia C. Mora (MUSICultures) “This volume makes a convincing case for the value of listening methodologies to provide insights into understanding the relationship between capital and cultural practises. I found this volume insightful, stimulating, and highly quotable.” - Carlo A. Cubero (Anthropos) “Sounds of Vacation is an important contribution to studies of Caribbean musics and sounds.... Through the focus on labor and economy in these all-inclusive hotels, the authors offer some excellent starting points for further studies.” - Ruth Hellier-Tinoco (Latin American Music Review) "Sounds of Vacation is a rigorous, clearly written, well-organized, and accessible volume that remains true to its objective to establish a political economy analytical framework for the study of soundscapes in all-inclusive tourism settings. It brings a fresh perspective to studying tourism destinations that have been analysed at length (such as the Bahamas or Barbados) alongside destinations that have received less scholarly attention (such as Sint Marteen). The volume will interest scholars in anthropology, critical tourism studies, ethnomusicology, communication studies, Latin American and Caribbean studies, and sociology." - Carla Guerrón Montero (Journal of the Royal Anthropological Institute)