Denis-Constant Martin is an Outstanding Senior Research Fellow of the French National Foundation for Political Sciences, attached to the Centre les Afriques dans le monde (Sciences Po Bordeaux, University of Bordeaux, France). He taught political development at Sciences Po Paris, the sociology of popular music at the University of Paris 8-Saint Denis and political anthropology at Sciences Po Bordeaux. His research focuses on the relationship between culture and politics, and attempts to interpret the social representations citizens have about power systems through the study of their cultural practices. He has published widely on culture and politics, and on the political uses of social identities. For more than twenty years, he has been conducting research in and on South Africa, with a special interest in Cape Town's cultures. He is the author of Coon Carnival: New Year in Cape Town, Past and Present, as well as of several academic articles and volumes on Cape Town's music and festivals.

• The emergence of creolised identities; music and identity: a theoretical prologue; Cape Town's music's: a legacy of creolisation; the dialectics of separation and interweaving; separation and interweaving in the 20th century: futile separations; separation and interweaving in the 20th century: fertile intertwining; two decades of freedom; the musicians' discourse: Cape Town as a musical potjiekos; conclusion: recognising creolisation?

Denis-Constant Martin is an Outstanding Senior Research Fellow of the French National Foundation for Political Sciences, attached to the Centre les Afriques dans le monde (Sciences Po Bordeaux, University of Bordeaux, France). He taught political development at Sciences Po Paris, the sociology of popular music at the University of Paris 8-Saint Denis and political anthropology at Sciences Po Bordeaux. His research focuses on the relationship between culture and politics, and attempts to interpret the social representations citizens have about power systems through the study of their cultural practices. He has published widely on culture and politics, and on the political uses of social identities. For more than twenty years, he has been conducting research in and on South Africa, with a special interest in Cape Town's cultures. He is the author of Coon Carnival: New Year in Cape Town, Past and Present, as well as of several academic articles and volumes on Cape Town's music and festivals.

• The emergence of creolised identities; music and identity: a theoretical prologue; Cape Town's music's: a legacy of creolisation; the dialectics of separation and interweaving; separation and interweaving in the 20th century: futile separations; separation and interweaving in the 20th century: fertile intertwining; two decades of freedom; the musicians' discourse: Cape Town as a musical potjiekos; conclusion: recognising creolisation?

Denis-Constant Martin is an Outstanding Senior Research Fellow of the French National Foundation for Political Sciences, attached to the Centre les Afriques dans le monde (Sciences Po Bordeaux, University of Bordeaux, France). He taught political development at Sciences Po Paris, the sociology of popular music at the University of Paris 8-Saint Denis and political anthropology at Sciences Po Bordeaux. His research focuses on the relationship between culture and politics, and attempts to interpret the social representations citizens have about power systems through the study of their cultural practices. He has published widely on culture and politics, and on the political uses of social identities. For more than twenty years, he has been conducting research in and on South Africa, with a special interest in Cape Town's cultures. He is the author of Coon Carnival: New Year in Cape Town, Past and Present, as well as of several academic articles and volumes on Cape Town's music and festivals.

• The emergence of creolised identities; music and identity: a theoretical prologue; Cape Town's music's: a legacy of creolisation; the dialectics of separation and interweaving; separation and interweaving in the 20th century: futile separations; separation and interweaving in the 20th century: fertile intertwining; two decades of freedom; the musicians' discourse: Cape Town as a musical potjiekos; conclusion: recognising creolisation?