Paul White is Editor-In-Chief of Sound On Sound. Trained in electronics, he has been recording music since the 1970s. He also performs and mixes live gigs, and is the author of a number of music recording textbooks.

• PrefaceChapter 1 — Drivers and LoudspeakersChapter 2 — Practical PA SystemsChapter 3 — Live-sound Monitoring OptionsChapter 4 — Audio MixersChapter 5 — MicrophonesChapter 6 — DI BoxesChapter 7 — Other PA ComponentsChapter 8 — Equalisers And EffectsChapter 9 — Managing The BacklineChapter 10 — Radio Microphones And Guitar SystemsChapter 11 — Microphone Choice And PlacementChapter 12 — The Role Of The Mix EngineerChapter 13 — The Technical StuffGlossary

Paul White is Editor-In-Chief of Sound On Sound. Trained in electronics, he has been recording music since the 1970s. He also performs and mixes live gigs, and is the author of a number of music recording textbooks.

• PrefaceChapter 1 — Drivers and LoudspeakersChapter 2 — Practical PA SystemsChapter 3 — Live-sound Monitoring OptionsChapter 4 — Audio MixersChapter 5 — MicrophonesChapter 6 — DI BoxesChapter 7 — Other PA ComponentsChapter 8 — Equalisers And EffectsChapter 9 — Managing The BacklineChapter 10 — Radio Microphones And Guitar SystemsChapter 11 — Microphone Choice And PlacementChapter 12 — The Role Of The Mix EngineerChapter 13 — The Technical StuffGlossary

Paul White is Editor-In-Chief of Sound On Sound. Trained in electronics, he has been recording music since the 1970s. He also performs and mixes live gigs, and is the author of a number of music recording textbooks.

• PrefaceChapter 1 — Drivers and LoudspeakersChapter 2 — Practical PA SystemsChapter 3 — Live-sound Monitoring OptionsChapter 4 — Audio MixersChapter 5 — MicrophonesChapter 6 — DI BoxesChapter 7 — Other PA ComponentsChapter 8 — Equalisers And EffectsChapter 9 — Managing The BacklineChapter 10 — Radio Microphones And Guitar SystemsChapter 11 — Microphone Choice And PlacementChapter 12 — The Role Of The Mix EngineerChapter 13 — The Technical StuffGlossary