Dirk Meyer, Ph.D. (2008), Leiden University, is Associate Professor of Chinese Philosophy and Fellow of The Queen’s College, University of Oxford. He is the author of Philosophy on Bamboo (Brill 2012), Documentation and Argument in Early China (De Gruyter 2021), and co-editor of Literary Forms of Argument in Early China (Brill 2015, with Joachim Gentz) and Origins of Chinese Political Philosophy (Brill 2017, with Martin Kern).Adam Craig Schwartz, Ph.D. (2013), University of Chicago, is Associate Director of the Jao Tsung-i Academy of Sinology and Assistant Professor in the Department of Chinese Language and Literature, Hong Kong Baptist University. He is the author of The Oracle Bone Inscriptions from Huayuanzhuang East (De Gruyter 2019).

• Introduction1 The Ān Dà Shī2 Attempting an ‘Emic’ Reading of the Ān Dà Shī3 Writing the Image Programme of the Songs4 Bringing to Life the Sound Moulds of Shī Production5 Sounding the Image Programme of the Songs6 Receiving the Shī7 The Significance of the Royal Zhōu and the Royal Shào8 What Does ‘Nán’ Mean?9 The Significance of the Ān Dà Shī10 The Songs of the Royal Zhōu and the Royal Shào: ConventionsSongs of the Royal Zhōu and the Royal ShàoSongs of the Royal Zhōu1 List of Songs2 Zhōu Nán 1 周南一3 Zhōu Nán 2 周南二4 Zhōu Nán 3 周南三5 Zhōu Nán 4 周南四6 Zhōu Nán 5 周南五7 Zhōu Nán 6 周南六8 Zhōu Nán 7 周南七9 Zhōu Nán 8 周南八10 Zhōu Nán 9A 周南九11 Zhōu Nán 9B 周南九12 Zhōu Nán 11 周南十一Songs of the Royal Shào1 List of Songs2 Shào Nán 1召南一3 Shào Nán 2召南二4 Shào Nán 3召南三5 Shào Nán 4召南四6 Shào Nán 5召南五7 Shào Nán 6召南六8 Shào Nán 7召南七9 Shào Nán 8召南八10 Shào Nán 9 召南九11 Shào Nán 10召南十12 Shào Nán 11召南十一13 Shào Nán 12召南十二14 Shào Nán 13召南十三15 Shào Nán 14召南十四BibliographyIndex

Dirk Meyer, Ph.D. (2008), Leiden University, is Associate Professor of Chinese Philosophy and Fellow of The Queen’s College, University of Oxford. He is the author of Philosophy on Bamboo (Brill 2012), Documentation and Argument in Early China (De Gruyter 2021), and co-editor of Literary Forms of Argument in Early China (Brill 2015, with Joachim Gentz) and Origins of Chinese Political Philosophy (Brill 2017, with Martin Kern).Adam Craig Schwartz, Ph.D. (2013), University of Chicago, is Associate Director of the Jao Tsung-i Academy of Sinology and Assistant Professor in the Department of Chinese Language and Literature, Hong Kong Baptist University. He is the author of The Oracle Bone Inscriptions from Huayuanzhuang East (De Gruyter 2019).

• Introduction1 The Ān Dà Shī2 Attempting an ‘Emic’ Reading of the Ān Dà Shī3 Writing the Image Programme of the Songs4 Bringing to Life the Sound Moulds of Shī Production5 Sounding the Image Programme of the Songs6 Receiving the Shī7 The Significance of the Royal Zhōu and the Royal Shào8 What Does ‘Nán’ Mean?9 The Significance of the Ān Dà Shī10 The Songs of the Royal Zhōu and the Royal Shào: ConventionsSongs of the Royal Zhōu and the Royal ShàoSongs of the Royal Zhōu1 List of Songs2 Zhōu Nán 1 周南一3 Zhōu Nán 2 周南二4 Zhōu Nán 3 周南三5 Zhōu Nán 4 周南四6 Zhōu Nán 5 周南五7 Zhōu Nán 6 周南六8 Zhōu Nán 7 周南七9 Zhōu Nán 8 周南八10 Zhōu Nán 9A 周南九11 Zhōu Nán 9B 周南九12 Zhōu Nán 11 周南十一Songs of the Royal Shào1 List of Songs2 Shào Nán 1召南一3 Shào Nán 2召南二4 Shào Nán 3召南三5 Shào Nán 4召南四6 Shào Nán 5召南五7 Shào Nán 6召南六8 Shào Nán 7召南七9 Shào Nán 8召南八10 Shào Nán 9 召南九11 Shào Nán 10召南十12 Shào Nán 11召南十一13 Shào Nán 12召南十二14 Shào Nán 13召南十三15 Shào Nán 14召南十四BibliographyIndex

Dirk Meyer, Ph.D. (2008), Leiden University, is Associate Professor of Chinese Philosophy and Fellow of The Queen’s College, University of Oxford. He is the author of Philosophy on Bamboo (Brill 2012), Documentation and Argument in Early China (De Gruyter 2021), and co-editor of Literary Forms of Argument in Early China (Brill 2015, with Joachim Gentz) and Origins of Chinese Political Philosophy (Brill 2017, with Martin Kern).Adam Craig Schwartz, Ph.D. (2013), University of Chicago, is Associate Director of the Jao Tsung-i Academy of Sinology and Assistant Professor in the Department of Chinese Language and Literature, Hong Kong Baptist University. He is the author of The Oracle Bone Inscriptions from Huayuanzhuang East (De Gruyter 2019).

• Introduction1 The Ān Dà Shī2 Attempting an ‘Emic’ Reading of the Ān Dà Shī3 Writing the Image Programme of the Songs4 Bringing to Life the Sound Moulds of Shī Production5 Sounding the Image Programme of the Songs6 Receiving the Shī7 The Significance of the Royal Zhōu and the Royal Shào8 What Does ‘Nán’ Mean?9 The Significance of the Ān Dà Shī10 The Songs of the Royal Zhōu and the Royal Shào: ConventionsSongs of the Royal Zhōu and the Royal ShàoSongs of the Royal Zhōu1 List of Songs2 Zhōu Nán 1 周南一3 Zhōu Nán 2 周南二4 Zhōu Nán 3 周南三5 Zhōu Nán 4 周南四6 Zhōu Nán 5 周南五7 Zhōu Nán 6 周南六8 Zhōu Nán 7 周南七9 Zhōu Nán 8 周南八10 Zhōu Nán 9A 周南九11 Zhōu Nán 9B 周南九12 Zhōu Nán 11 周南十一Songs of the Royal Shào1 List of Songs2 Shào Nán 1召南一3 Shào Nán 2召南二4 Shào Nán 3召南三5 Shào Nán 4召南四6 Shào Nán 5召南五7 Shào Nán 6召南六8 Shào Nán 7召南七9 Shào Nán 8召南八10 Shào Nán 9 召南九11 Shào Nán 10召南十12 Shào Nán 11召南十一13 Shào Nán 12召南十二14 Shào Nán 13召南十三15 Shào Nán 14召南十四BibliographyIndex