Emma Widdis is Reader in Russian Studies at the University of Cambridge and a Fellow of Trinity College. She is author of Visions of a New Land: Soviet Cinema from the Revolution to the Second World War and Alexander Medvedkin, and editor (with Simon Franklin) of National Identity in Russian Culture.

• PrefaceAcknowledgementsNote on Translation and TransliterationIntroduction: Feeling Soviet1. Avant-Garde Sensations2. Material Sensations3. Textile Sensations 4. Socialist Sensations5. Primitive Sensations6. Modern Sensations7. Socialist Feelings8. Socialist Transformations9. Socialist PleasuresConclusion: The Death of SensationGlossary of Russian TermsBibliographyIndex

"This study will be of great value to those researching topics such as affect, texture, and pattern (faktura); gesture; and the body in the Soviet cultural context."—Choice"Widdis's rich and fascinating book has opened a new perspective from which to think about the Soviet cinema."—Kritika"This study will be of great value to those researching topics such as affect, texture, and pattern (faktura); gesture; and the body in the Soviet cultural context."—Choice"Wonderfully illustrated, Socialist Senses will engage all scholars of the period: not only does Widdis add to the growing list of studies on Soviet senses, her work is the first to investigate touch and feeling and how they materialized on the Soviet screen."—Studies in Russian and Soviet Cinema"In Socialist Senses, Widdis provides an arresting take on Soviet cinema that pushes Russian/Soviet film criticism beyond the critical frameworks of auteurism and formalism where it has long remained."—InVisible Culture: An Electronic Journal for Visual Culture (IVC)"The author's often dazzling analysis opens readers' eyes—and senses—to the vivid textures and material of the period, so much so that some might find it difficult to look at and experience early Soviet cinema in the same way again."—Slavic Review"In this original and captivating study, Widdis gives us an entirely new way of looking at early Soviet cinema. Widdis' sharp eye for detail and sure hand in applying theory gives us a work of film analysis at its best."—Joan Neuberger, Professor, University of Texas at Austin"A brilliant and pioneering analysis of debates around Soviet selfhood in the 1920s and 1930s. It is a work of rare and exciting scholarly originality, written with elegance and lucidity."—Julian Graffy, Professor Emeritus of Russian Literature and Film, University College London"Outstanding and important scholarship that unites many important topics with new insights and original analysis. . . . nobody has tried to think about Soviet film within this theoretical frame."—Oksana Bulgakowa, author of, Sergei Eisenstein: A Biography"Socialist Senses shows remarkable range and matching ambitions...Widdis sets as her goal to reimagine the history of early Soviet film entirely: to tell a story as new and upending as its objects of study."—The Russian Review