"By focusing on the milieu of middle-class amateurs rather than the professional world of the concert hall that has occupied most scholars, Lott provides a fresh perspective on the production and consumption of chamber music in nineteenth-century Europe. The Social Worlds of Nineteenth-Century Chamber Music is an exemplary contextual study that enhances our appreciation of not only canonic masterworks but also lesser-known pieces written for this thriving market."--Walter Frisch, author of Music in the Nineteenth Century"Marie Sumner Lott's monograph, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities, takes us on a rewarding journey into chamber music's often hidden social worlds, adopting an approach accessible to a broad readership." --Victorian Studies "This book is an extremely significant achievement. It is likely to attract the interest of a broader readership and is strongly recommended, both as a resource for students and more seasoned scholars. It is all too rare that one encounters a book that engages one's avid interest throughout: this was one of those books."--Ad Parnassum