Social Functions of Synagogue Song

Jonathan L. Friedmann is cantor of Bet Knesset Bamidbar and Congregation P’nai Tikvah, both in Las Vegas, Nevada. He is also professor of Jewish music history at the Academy for Jewish Religion, California and the co-founder of two cutting-edge bands: Rabbinical School Dropouts and Elijah’s Chair. Jonathan has published over 300 popular and peer-reviewed articles, and is the author or editor of ten books, including Quotations on Jewish Sacred Music (2011) and Emotions in Jewish Music (2012). His regular column on Jewish music can be read at The Daily Rabbi, an online magazine (www.thedailyrabbi.com).

• PrefaceIntroduction1. Durkheim and Religion2. Discipline 3. Cohesion4. Revitalization5. Euphoria6. ConclusionAppendix: Durkheimian StudiesBibliography IndexAbout the Author

The study of synagogue ritual and prayer has been dominated by research into historical origins and textual traditions. Friedmann adds a distinctive lens by analyzing synagogue rituals using sociological theory. He thereby provides insights into the social impact of 'praying' making a vital contribution to the understanding of praying and the roles and meanings for prayer leaders and congregants.