“Rather than homogenise class’s meaning, the editors open the collection up to considering how television constructs its own images of class. Class is approached as a dynamic issue, present as an overt object of representation as well as a set of ideological positions which shape television’s visual address.” (Daniel Martin, Critical Studies in Television, Vol. 14 (4), September, 2019)“The authors here adopt a variety of critical approaches that, while alive to the importance in itself of class visibility in contemporary television, are also alert to the problematic discourses it sometimes generates. … This is an indispensable book for anyone wanting to know more about recent British television drama, and why it remains an important subject of study.” (Neil Archer, cercles.com, July)