Alyson R. Buckman is a professor in and current chair of the humanities and religious studies department at California State University, Sacramento. She has published on Alice Walker, Octavia Butler, The Gilmore Girls, Orphan Black, and the Whedonverse. Juliette C. Kitchens is an assistant professor in the Department of Writing and Communication at Nova Southeastern University in Fort Lauderdale, Florida. She teaches an array of courses focused on the rhetorics of popular culture and has published in Studies in Popular Culture. Katherine A. Troyer is the assistant director of The Collaborative for Learning and Teaching at Trinity University in San Antonio, Texas. In addition, she teaches, writes, and podcasts (as a co-host of Such a Nightmare) about all things horror.

• AcknowledgmentsIntroduction: Welcome to the Hellmouth: Trauma and Memory in the WhedonverseKatherine A. Troyer"That has nothing to do with today": The Whedonverse and the Dangers of Rewriting Historical MemoryErin GianniniUnwanted Memories: When Heroines Choose Trauma Over AmnesiaValerie Estelle FrankelRestless Death: Memory and Transmedial Bodies in the BuffyverseJuliette C. KitchensDismembering (the) BuffybotMadeline Muntersbjorn"Better": Trauma, Romantic Attachment, and the Victor/Sierra Arc in DollhouseRenee St. Louis"Now you don't have to use this color anymore": Art Therapy in Dollhouse and Orphan BlackJanet Brennan CroftSuch Pretty Things: Madness in the WhedonverseCatherine PughConclusion: "We had our own hellmouth": The Allegations Against Joss WhedonAlyson R. BuckmanAbout the ContributorsIndex

Alyson R. Buckman is a professor in and current chair of the humanities and religious studies department at California State University, Sacramento. She has published on Alice Walker, Octavia Butler, The Gilmore Girls, Orphan Black, and the Whedonverse. Juliette C. Kitchens is an assistant professor in the Department of Writing and Communication at Nova Southeastern University in Fort Lauderdale, Florida. She teaches an array of courses focused on the rhetorics of popular culture and has published in Studies in Popular Culture. Katherine A. Troyer is the assistant director of The Collaborative for Learning and Teaching at Trinity University in San Antonio, Texas. In addition, she teaches, writes, and podcasts (as a co-host of Such a Nightmare) about all things horror.

• AcknowledgmentsIntroduction: Welcome to the Hellmouth: Trauma and Memory in the WhedonverseKatherine A. Troyer"That has nothing to do with today": The Whedonverse and the Dangers of Rewriting Historical MemoryErin GianniniUnwanted Memories: When Heroines Choose Trauma Over AmnesiaValerie Estelle FrankelRestless Death: Memory and Transmedial Bodies in the BuffyverseJuliette C. KitchensDismembering (the) BuffybotMadeline Muntersbjorn"Better": Trauma, Romantic Attachment, and the Victor/Sierra Arc in DollhouseRenee St. Louis"Now you don't have to use this color anymore": Art Therapy in Dollhouse and Orphan BlackJanet Brennan CroftSuch Pretty Things: Madness in the WhedonverseCatherine PughConclusion: "We had our own hellmouth": The Allegations Against Joss WhedonAlyson R. BuckmanAbout the ContributorsIndex

Alyson R. Buckman is a professor in and current chair of the humanities and religious studies department at California State University, Sacramento. She has published on Alice Walker, Octavia Butler, The Gilmore Girls, Orphan Black, and the Whedonverse. Juliette C. Kitchens is an assistant professor in the Department of Writing and Communication at Nova Southeastern University in Fort Lauderdale, Florida. She teaches an array of courses focused on the rhetorics of popular culture and has published in Studies in Popular Culture. Katherine A. Troyer is the assistant director of The Collaborative for Learning and Teaching at Trinity University in San Antonio, Texas. In addition, she teaches, writes, and podcasts (as a co-host of Such a Nightmare) about all things horror.

• AcknowledgmentsIntroduction: Welcome to the Hellmouth: Trauma and Memory in the WhedonverseKatherine A. Troyer"That has nothing to do with today": The Whedonverse and the Dangers of Rewriting Historical MemoryErin GianniniUnwanted Memories: When Heroines Choose Trauma Over AmnesiaValerie Estelle FrankelRestless Death: Memory and Transmedial Bodies in the BuffyverseJuliette C. KitchensDismembering (the) BuffybotMadeline Muntersbjorn"Better": Trauma, Romantic Attachment, and the Victor/Sierra Arc in DollhouseRenee St. Louis"Now you don't have to use this color anymore": Art Therapy in Dollhouse and Orphan BlackJanet Brennan CroftSuch Pretty Things: Madness in the WhedonverseCatherine PughConclusion: "We had our own hellmouth": The Allegations Against Joss WhedonAlyson R. BuckmanAbout the ContributorsIndex